rock
CD: J Mascis - Elastic DaysSaturday, 10 November 2018
“I don't peak early / I don't peak at all,” goes the wryly self-aware line in the opening song here, “Take me to the Movies”. Thirty-five years since he started releasing records, Mascis isn't interested in peaking, progress or much else beyond... Read more... |
Reissue CDs Weekly: John & Beverley Martyn, Mott The HoopleSunday, 04 November 2018
Although John & Beverley Martyn and Mott The Hoople were both signed to Island, the connection went further than being with the same label. When Guy Stevens conceived the band he named Mott The Hoople, the producer saw them as uniting the... Read more... |
CD: Marianne Faithfull - Negative CapabilitySaturday, 03 November 2018
There are many layers of allusion that come with Marianne Faithfull’s powerful new album. The title is drawn from Keats, his formula for great poetry as opposed to instructive morality, and it’s towards a poetry of experience rather than the fixed... Read more... |
More Blood, More Tracks review - Bob Dylan opens upWednesday, 31 October 2018
You get plenty of Dylan for your buck these days, with the Mondo Scripto exhibition currently at the Halcyon Gallery in London, and a totemic and arrestingly beautiful set of Jerry Schatzberg's photographs of mid-Sixties Dylan in all his fuzzy glory... Read more... |
CD: The Prodigy - No TouristsWednesday, 31 October 2018
One of the major abiding musical memories of the late 1990s for many wasn’t so much five Mancunians ripping off Beatles’ songs, but Keith Flint of The Prodigy, growling “I’m a Firestarter/Twisted Firestarter” while all kinds of electronic battery... Read more... |
Best Albums of 2018Wednesday, 31 October 2018
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why. Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E.D. ★★★★★ A small... Read more... |
CD: The Struts - Young&DangerousSunday, 28 October 2018
Certain artists’ success lies in a direct ability to pastiche the past into something new and bumptious. Oasis, The Scissor Sisters and The Vaccines all had this in spades and, at their best, created music whose pizzazz and punch eventually rendered... Read more... |
John Fogerty / Steve Miller Band, BluesFest 2018 review - keep on chooglin'Friday, 26 October 2018
Rock critic Greil Marcus observed that John Fogerty’s songs are “about as contrived as the weather”, and there can surely never have been such an easy and instinctive songwriter in rock’n’roll. After his glory years with Creedence Clearwater Revival... Read more... |
Bohemian Rhapsody review – all surface, no soulFriday, 26 October 2018
If a Queen biopic called for drama, scandal and outrage, then Bohemian Rhapsody spent its fill in production. Several Freddies had been and gone, rumours swirling about meddling band members, and then director Bryan Singer’s assault accusations... Read more... |
Sŵn Festival 2018 – a welcome return to formWednesday, 24 October 2018
It’s been a tough few years for Sŵn Festival. Once a genuine rival to fellow urban festivals Great Escape and Sound City, recent events have fluctuated between one-dayers and a string of ticketed gigs. 2018 marked the biggest change yet, but also a... Read more... |
Smashing Pumpkins, Wembley Arena review - Corgan and company deliver the goodsWednesday, 17 October 2018
A three-hour show? There’s no doubt that The Smashing Pumpkins give good bang for the buck but it’s rare to see a band of this size and stature play for more than two hours in London. So it’s a testament to their back catalogue that at the SSE... Read more... |
CD: Tom Morello – The Atlas UndergroundMonday, 08 October 2018
Tom Morello is an angry man – and he has a lot to be angry about in these "interesting times". From the righteous rap, metal and rock of Rage Against the Machine and supergroup Audioslave to folk protest songs in the guise of The Nightwatchman (and... Read more... |
