tue 26/08/2025

rock

Catfish and the Bottlemen, Cardiff Motorpoint Arena review - irrepressible arena rock

For a time, it looked like Catfish and the Bottlemen might finally be the next-gen guitar band with crossover appeal. Though that never quite came to pass, their new show promoting latest album The Balance proves why the indie faithful...

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Rokia Traoré: Né So, Brighton Festival review - an Afro-psychedelic head-fry

The last thing many were expecting from Rokia Traoré’s opening appearance at this year’s Brighton Festival was an Afro-psychedelic head-fry, yet she and her four-piece band prove thoroughly capable of swirling our minds right off out of it. When she...

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CD: Clinic – Wheeltappers and Shunters

Before we get to the music, there’s the title of Clinic’s first album in seven years to deal with. It comes from the title of a 1970s Granada TV series, The Wheeltappers and Shunters Social Club, a northern entertainment revue presented by,...

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CD: Vampire Weekend - Father of the Bride

Three albums in, and Vampire Weekend were due a shake-up. Enter Father of the Bride, by far their most ambitious record to date. It’s an 18-track behemoth featuring 14 musicians and six different producers, spanning from folk to jazz. It may be a...

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CD: Editors – The Blanck Mass Sessions

Editors’ last album, the electronic-infused Violence, was hailed as a big departure for the indie rock band on its release a little over a year ago. It wasn’t really, it was simply the latest stage of a transformation that can be traced back to...

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Hall & Oates, Wembley SSE Arena review - bestselling duo still have the power

Never quite the household names in Britain that they were in their native USA, Daryl Hall and John Oates can nonetheless claim to be the best-selling duo in the history of popular music. With 40 million records sold, six US chart-topping singles and...

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Suede, Brighton Dome review - Brett Anderson gives it full frontman chutzpah

Suede finish “Sabotage”. It’s a mid-paced, elegant number set off by swirling, circling central guitar. Frontman Brett Anderson hangs from his microphone stand on the left apron of the stage to deliver it, with the lights down low. Afterwards he...

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The Good, the Bad & the Queen, Great Hall, Cardiff review - a jolly big knees-up

“Our attendees are a select group, but we have a connection,” remarked Damon Albarn at the end of The Good, the Bad & the Queen’s set. He’s not wrong – much of the band had outgrown Cardiff’s Great Hall 25 years ago, but it proved the perfect...

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Rock Island Line: The Song That Made Britain Rock, BBC Four review - the early dawn of Britpop

If you were a fan of “Rock Island Line” when it became a pop hit, you’d have to be at least in your mid-70s now. In 1956, Paul McCartney heard Lonnie Donegan perform it live in Liverpool, and Paul’s rising 77. How many below that age know it is moot...

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theartsdesk on Vinyl: Record Store Day Special 2019

Record Store Day is tomorrow which means that your local record shop will be packed with all sorts of exclusive, limited edition goodies as well as major label cash-ins. There are hundreds of releases but many aren't available before the day itself...

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CD: Circa Waves - What It's Like Over There

Circa Waves, the guitar-band from Liverpool, go over a storm at festivals and large venues. With simplicity, tightness and concentrated energy, they know how to play with the tension that can build between soft and hard, the yin and the yang of rock...

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CD: Thee Telepaths – The Velvet Night

Kettering might not be the first place you’d associate with spaced-out psych-rock, but neither are Croydon or Rugby and they gave us Loop and Spacemen 3 respectively. Maybe it’s something to do with the need for escape that can make such prosaic...

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