Reissue CDs
Reissue CDs Weekly: The MicrocosmSunday, 04 December 2016
Pictured above is Sweden’s Ralph Lundsten. He might look like a guru or mystic but is actually a multi-disciplinary artist most well-known on his home turf for his pioneering electronic music. His first album, 1966’s Elektronmusikstudion... Read more... |
Reissue CDs Weekly: Mose Allison, Georgie FameSunday, 27 November 2016
In 1970, The Who opened their Live at Leeds album with “Young Man Blues”, a hefty version of a song its composer Mose Allison recorded as “Blues” in 1957. Back then, it was the only vocal track on Back Country Suite, an otherwise instrumental blues-... Read more... |
Reissue CDs Weekly: Super Furry AnimalsSunday, 20 November 2016
In 1996, the NME ranked Super Furry Animals’ debut album Fuzzy Logic as the year’s fourth best. It sat between Orbital’s In Sides (number three) and DJ Shadow’s Entroducing. Beck’s Odelay took the top spot and Manic Street Preachers’ Everything Must... Read more... |
Reissue CDs Weekly: Roy HarperSunday, 06 November 2016
Man & Myth, released in September 2013, was Roy Harper’s best album in two decades. The live shows which came on its back were stunning. Amongst this activity – instead of building on the momentum – he was arrested and charged with historic... Read more... |
Reissue CDs Weekly: The UndertonesSunday, 23 October 2016
Although the reformed Undertones, with Paul McLoone replacing original singer Feargal Sharkey, have been a popular live draw since 1999, John Peel’s anointing of “Teenage Kicks” from their debut EP as his favourite recording suggests this is what... Read more... |
Reissue CDs Weekly: Tim BuckleySunday, 16 October 2016
The period between the October 1966 release of his eponymous debut album and its follow-up, August 1967’s baroque masterpiece Goodbye and Hello, saw Tim Buckley and his label Elektra reconsider how best to help him generate an impact. No matter how... Read more... |
Reissue CDs Weekly: The ShaggsSunday, 09 October 2016
“The Shaggs are real, pure, unaffected by outside influences. Their music is different, it is theirs alone.” So began the liner notes to Philosophy of the World, The Shaggs' sole album. Not many people read the words or heard the music when it was... Read more... |
Reissue CDs Weekly: Les PantiesSunday, 02 October 2016
What should a band called Les Panties sound like? Melodic, Ramones-like pop-punk? Dirty garage rock a la early White Stripes? From the name, either surmise seems reasonable. In the event, what reverberates through this incongruously named Brussels... Read more... |
Reissue CDs Weekly: John FoxxSunday, 25 September 2016
In 1985, John Foxx released In Mysterious Ways: his fourth solo album since leaving Ultravox in 1979. In 1980, he had charted with “Underpass”, his first solo single. Subsequently, he charted a path where frosty, anomie-filled electropop gave way to... Read more... |
Reissue CDs Weekly: Chess Records Soul, Little RichardSunday, 18 September 2016
Chicago’s Chess Records first made waves in the Fifties with a raft of records which included future classics integral to defining the urban slant on blues music. Early in the decade, the label issued singles by John Lee Hooker, Memphis Slim, Muddy... Read more... |
Reissue CDs Weekly: Tamam ShudSunday, 11 September 2016
In 1969, the Australian band Tamam Shud improvised as a film was projected onto the wall of a recording studio. The results were heard on the Evolution album. Playing original music live to accompany a film screening isn’t commonplace these... Read more... |
Reissue CDs Weekly: The Beach BoysSunday, 04 September 2016
The Beach Boys signed with Capitol Records on 24 May 1962. Early the next month, their first single for the label became “409”/”Surfin’ Safari”. It was not their debut release. The “Surfin'”/ “Luau” single had been issued in November 1961 by Candix.... Read more... |
