race issues
Jane Eyre, National Theatre at Home review - a fiery feminist adaptationFriday, 10 April 2020
The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope... Read more... |
Sondheim at 90 Songs: 4 - 'America'Thursday, 26 March 2020
Ever since I heard the quintessential prog rock group The Nice do a psychedelic instrumental version of “America” in 1968, I have loved this song. Later on, I was better able to appreciate Sondheim’s lyrics, whose satirical sharpness and superb... Read more... |
The Special Relationship, Soho Theatre review - informative, but uninspiringWednesday, 04 March 2020
Since 2000, Esther Baker's Synergy Theatre Project has worked with prisoners, ex-offenders and young people at risk of offending to produce powerful dramas about some of the most fraught social situations you can imagine. The latest show, written by... Read more... |
Berlinale 2020: Berlin Alexanderplatz review - a contemporary twist on a classicThursday, 27 February 2020
Burhan Qurbani isn’t the first director to bring Alfred Döblin’s seminal 1929 novel, Berlin Alexanderplatz, to the screen. First, there was the Weimar Republic era adaptation that Döblin himself worked on. Fifty years later, Rainer Werner... Read more... |
Pass Over, Kiln Theatre review - fierce critique of racist brutalityThursday, 20 February 2020
The Black Lives Matter movement is such an important international protest that it is odd how few contemporary plays even mention it. Since the hashtag #BlackLivesMatter has been around since 2013, following the acquittal of George Zimmerman who... Read more... |
The High Table, Bush Theatre review - party on in Lagos and LondonSaturday, 15 February 2020
Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupidity one of the best antidotes is a culture of celebration. And in this theatre can play its part. At the Bush, last September,... Read more... |
Death of England, National Theatre review - furious but fabulousFriday, 07 February 2020
Is this an angry island? Although the British national character (if there is such a thing) has traditionally been one of reserve, repression and restraint, more recently it has become increasing passionate and full of anger. More a clenched fist... Read more... |
Imran Perretta, Chisenhale Gallery review - a deeply affecting filmTuesday, 04 February 2020
“I forgive you,” he said. “I forgive you… for the bombs.” Spoken by a young Muslim in measured tones that can’t hide his fear, these chilling words recall a random encounter with a stranger. Written and directed by Imran Perretta and based on... Read more... |
Kunene and the King, Ambassadors Theatre review - a Shakespearean voyage through the legacy of apartheidThursday, 30 January 2020
John Kani’s Kunene and the King is history in microcosm. Its premiere at the RSC last year, in this co-production with Cape Town’s Fugard Theatre, coincided with the 25th anniversary of the end of apartheid, offering a chance to assess the momentous... Read more... |
Queen & Slim review - a stylish and raw tale of outlaws on the lamThursday, 30 January 2020
There’s a palpable rage to Melina Matsoukas’ first feature film Queen & Slim, starring Get Out’s Daniel Kaluuya and newcomer Jodie Turner-Smith. Cast in the mould of Bonnie and Clyde, it’s a film that has you clinging to the arms of your seat... Read more... |
Rags: The Musical, Park Theatre review - a timely, if predictable, immigrant taleMonday, 20 January 2020
“Take our country back!” is the rallying cry of the self-identified “real” Americans gathered to protest the arrival of immigrants. It could be a contemporary Trump rally – or, indeed, the nastier side of current British political discourse – but in... Read more... |
Just Mercy review - soul-stirring true story about race and justice in AmericaFriday, 17 January 2020
Just Mercy, the latest film from Destin Daniel Cretton (Short Term 12), is based on a New York Times bestseller. It has a star-studded cast. It’s emotionally moving as well as intellectually accessible. But it’s no easy film to watch. “They can call... Read more... |
