wed 27/08/2025

pop music

CD: Lloyd Cole - Guesswork

The first thing you notice about Guesswork is the sound. Or rather, what's missing: there are none of the usual jangly guitars. No trusty Rickenbackers. Instead, the singer-songwriter offers up a palette of synthesisers and drum machines....

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k.d.lang, Brighton Dome review - superb revival of classic album

It’s hard to convey in an age of equal marriage and gender fluidity the impact that k.d. lang’s Ingénue had when it was released in 1992. The album, 10 tracks that tell of the pain and pleasure of love and longing, was a huge hit with a generation...

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Reissue CDs Weekly: Jon Savage's 1965–1968, Modern & Kent Northern Soul

Last month, this column pondered a vinyl-only R.E.M. reissue. Despite the mystifyingly high sales price of original pressings, reissuing a best-of mostly collecting easily available tracks seemed a tad unnecessary. Moreover, it lacked imagination....

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Glastonbury Festival 2019: hot as hell and a thousand times as fun

As ever theartsdesk’s Glastonbury report arrives after all other media coverage. Despite management pressure Caspar Gomez refuses earlier deadlines. He told Editorial, “The press tent is like an office, a place of work, full of laptops and coffee....

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Janelle Monae, SSE Wembley Arena review - strong in both sound and sentiment

Janelle Monae says her show is all about making memories. She tells the crowd: “I hope that I can become a memory for you that you access when you’re feeling down – a memory that’s rooted in love and freedom.”Themes of #loveislove, courage to...

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Carrie Underwood, SSE Hydro, Glasgow review - country cliches brought to life

“We didn’t come all the way from Nashville, Tennessee with just one fiddle,” says Carrie Underwood, halfway through her Glasgow show. The onetime American Idol turned multiple Grammy award-winning country superstar isn’t one for doing things by...

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Yesterday review - Beatlemania in a parallel universe

The price of fame and the value of artistic truth are among the topics probed in Danny Boyle’s irresistible comedy, a beguiling magical mystery tour of an upside-down world where The Beatles suddenly never existed. Richard Curtis’s screenplay...

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theartsdesk on Vinyl 50: Depeche Mode, Black Midi, Primal Scream, U2, Nazareth, Quantic and more

So theartsdesk on Vinyl reaches its 50th edition. That’s at least a novels’ worth of words. Maybe two! But we’re not stopping yet. The heat of the summer has arrived but the vinyl deluge hasn’t dried up, so check in for everything from Germanic...

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CD: Ingrid Michaelson - Stranger Songs

Eight albums in, you can imagine why a singer-songwriter in the confessional vein of Ingrid Michaelson might be ready to look elsewhere for inspiration - and inspiration for new album Stranger Songs came from a curious place. Each of the album’s 11...

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P!nk, Principality Stadium, Cardiff review - stunning theatrics astound

“I want to be just like P!nk,” a little girl screams as the lights begin to dim and the introductory music grows louder. It’s no wonder this leg of the Beautiful Trauma World Tour sold out in under 15 minutes. The whole stadium is packed full of...

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CD: Hot Chip - A Bath Full of Ecstasy

Nineteen years, seven albums and untold side projects into their career, Hot Chip have for the first time enlisted outside producers: Rodaidh McDonald and French disco/house don Philippe Zdar. And it's worked. Over the course of the previous albums...

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Reissue CDs Weekly: R.E.M.

In Time: The Best of R.E.M. 1988–2003 was issued by Warner Bros. in October 2003. Hitting shops in time for Christmas, it mixed hits like “Everybody Hurts”, “Man on the Moon” and “Orange Crush” with album and soundtrack cuts, and a couple of...

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