mon 30/06/2025

politics

10 Questions for Musician Jeremy Cunningham of The Levellers

Jeremy Cunningham (b.1965) is bass player and a founding member of The Levellers, as well as being a visual artist in his own right. During the 1990s The Levellers, and most especially their 1991 album Levelling the Land, became a phenomenon. The...

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DVD: Glory

The Bulgarian co-directing duo of Kristina Grozeva and Petar Valchanov proved their skill with the scalpel in slicing through the unforgiving world depicted in their first film, The Lesson, from 2014. Their follow-up in a loosely planned trilogy,...

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Agnès Poirier: Left Bank review - Paris in war and peace

There are too many awestruck cultural histories of Paris to even begin to count. The Anglophone world has always been justly dazzled by its own cohorts of Paris-based writers and artists, as well as by the seemingly effortless superiority of...

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CD: Seun Kuti - Black Times

Is it fair to say that Seun Kuti’s fourth album is just more of the same? I believe it is, because more of the same is more or less the point with protest music, particularly if what you’re protesting hasn’t gone away. You have no choice but to keep...

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You Were Never Really Here review - a wild ride to the dark side

The gripping paradox of Lynne Ramsay’s terse, brutal thriller is suggested in its title. Adapted from Jonathan Ames's novella, it’s a film distinguished by the force of its images and the compression of its narrative, and while its impact leaves you...

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The Best Man, Playhouse Theatre review - Gore Vidal’s plodding presidential drama

Is it possible to get too much of American politics? With Donald Trump’s daily tweets invading our digital space, a new Kevin-Spacey-free House of Cards on the, well, cards, and new films set in Watergate times, it might be that few will have any...

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Lisa Halliday: Asymmetry review - unconventional and brilliant

Lisa Halliday’s striking debut novel consists of three parts. The first follows the blooming relationship between Alice and Ezra (respectively an Assistant Editor and a Pulitzer Prize-winning writer) in New York; the middle section comprises a...

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theartsdesk in Minsk: feasting with Belarus Free Theatre

Budzma! (Cheers!) At a long, food-laden table in a noisy room of Minsk, the capital of Belarus, a toast is proposed. We clink glasses and drain moonshine. This happens once, twice, five, 10 times. Between the toasts comes a wave of passionate...

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Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

Essay collections are happily mainstream now, from Zadie Smith to Oliver Sacks, with more and more bits and bobs coming from unexpected quarters. These patchwork quilts from remarkable writers can be significant, nowhere more so than with those from...

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DVD/Blu-ray: The Party

Take one of the strongest casts in British cinema and put them in a confined space; it was always going to be fun. Sally Potter’s The Party sets its sights on the duplicitous liberal elite, where venality hides behind paper-thin morals.Janet (...

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Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

London Rules – explicitly cover your arse – is the fifth in the most remarkable and mesmerising series of novels, set mostly and explicitly in London, to have appeared in years. It is hypnotically fascinating, absolutely contemporary, cynical and...

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The Final Year review - Greg Barker documents Obama's last year in office

"The Times They Are A-Changin'" has never sounded so menacing. The Brothers & Sisters’ gospel version accompanies the end credits of The Final Year documentary as we watch the stunned UN ambassador Samantha Power unpinning her son’s drawings...

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