politics
Mark Fisher: Postcapitalist Desire - The Final Lectures review - imagining the alternativeTuesday, 12 January 2021
Postcapitalist Desire: The Final Lectures is a collection of transcripts, recording weekly group lectures delivered by Mark Fisher to his students at Goldsmiths, University of London during the 2016/17 academic year. These lectures provide the... Read more... |
Living Newspaper: A Counter Narrative, Royal Court online review – the news, but betterThursday, 24 December 2020
Edition 2 of Living Newspaper: A Counter Narrative, an experimental new piece of online theatre from the Royal Court, doesn’t mess around. Within minutes, a cry of "Tory scum" is echoing around the Jerwood Theatre – the refrain of an anarchic... Read more... |
Overflow, Bush Theatre review – fear, fury and funSaturday, 12 December 2020
Travis Alabanza is black, trans, queer and proud. And they’ve got a lot to be proud about. In 2016, they were the youngest recipient of the artist in residence post on the Tate workshop programme, and two years later starred in Chris Goode’s wildly... Read more... |
Andrey Kurkov: Grey Bees review - light Ukrainian odyssey, with biteWednesday, 18 November 2020
This time, the Ukrainian author of Death and the Penguin, known for his brilliantly dark humour, has written a modern-day odyssey, with a return that is ambiguously hopeful. Grey Bees follows a year in the life of Sergey Sergeyich, a retired... Read more... |
theartsdesk Q&A: Mick Talbot of The Style CouncilSaturday, 07 November 2020
Following the break-up of The Jam in 1982, Mick Talbot (b 1958) was chosen by Paul Weller as his sparring partner in a new band, The Style Council. Talbot, a keyboard player from south London, had flourished amid the late-Seventies Mod revival,... Read more... |
Raise Hell: The Life and Times of Molly Ivins review - a fitting tribute to a political hellraiserFriday, 23 October 2020
It’s a brave film distributor who releases a documentary about an American journalist in the UK at the best of times, let alone in the middle of a pandemic, so first salute goes to Eve Gabereau at Modern Films for giving Raise Hell a... Read more... |
10 Questions for Poet and Critic Rebecca TamásTuesday, 20 October 2020
Strangers: Essays on the Human and Nonhuman is a powerful invitation to rethink, to doubt and to engage. Beginning among the Diggers’ tilled earth in 1649 and the eco-socialist "watermelon" juices that soil still stirs, the book makes an urgent... Read more... |
theartsdesk Q&A: Sally Anne Gross and Dr George Musgrave, authors of 'Can Music Make You Sick?'Saturday, 10 October 2020
Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the... Read more... |
Bob Woodward: Rage review - terror and tyranny in the White HouseTuesday, 29 September 2020
“Build the wall!” exhorted Trump, at rally after rally back in the days when we’d all acknowledged his moral repugnancy but still believed he could never attain the presidency. And Trump has indeed built a wall, one that divides Republicans from... Read more... |
Naomi Klein: On Fire: The Burning Case for a Green New Deal review - an unapologetic manifestoTuesday, 22 September 2020
On Fire brings together a decade’s worth of dispatches from the frontline of the climate disaster – spanning the BP Deepwater Horizon oil spill (“a violent wound in the living organism that is Earth itself”), devastating tropical cyclones in Puerto... Read more... |
Album: Alicia Keys - AliciaFriday, 18 September 2020
Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning America’s sweetheart, all dimply smiles, positive-thinking ultra sincerity and the kind of showbiz over-emoting and singing-technique-as... Read more... |
Nick Hornby: Just Like You review - funny but inauthentic Brexit novelSunday, 13 September 2020
Nick Hornby’s protagonists are worlds apart. Joseph is a Black 22-year-old with a “portfolio career", which includes shift work at a butcher’s and a leisure centre and the distant dream of becoming a DJ. Lucy, a regular customer at the butcher’s... Read more... |
