New York
The Dark Side of the Moon: Dub Side of the MoonTuesday, 26 February 2013
There's a lot about stoner culture that smacks of earnestness, and The Dark Side of the Moon has been at the heart of a good deal of that. The number of long, dreary, late-night conversations that must have taken place over “doobs” and “munchies”... Read more... |
10 Questions for Actor Michael EmersonMonday, 25 February 2013
He may not be a household name, but Michael Emerson became a household face by virtue of his role as the sinister Benjamin Linus in Lost, the leader of the group called the Others on the show’s hallucinatory South Pacific island. Emerson, born... Read more... |
ArbitrageMonday, 25 February 2013
Suddenly everyone is noticing that Richard Gere, now 63, is a much better actor than he used to be in his aloof and self-regarding youth. In Arbitrage, written and directed by Nicholas Jarecki, Gere plays powerful and privileged Manhattan hedge-fund... Read more... |
A Chorus Line, London PalladiumWednesday, 20 February 2013
Even singular sensations grow older - yet A Chorus Line, which coined the phrase, seems ageless, so sure is it of its place in musical theatre history, so locked now into our theatrical consciousness. It is, no question, a wonderful show whose... Read more... |
10 Questions for Choreographer Bob AvianWednesday, 20 February 2013
A Chorus Line is one of the great American musicals. It opened off Broadway in 1975, rapidly barged a path to a larger Broadway house and proceeded to run for over 6,000 performances, breaking records along the way. Chicago, which opened in the same... Read more... |
Lichtenstein: A Retrospective, Tate ModernTuesday, 19 February 2013
Towards the end of Tate Modern’s retrospective of Roy Lichtenstein, there is a small abstract painting, Untitled, 1959, executed just before the artist found himself at the heart of the Pop Art movement. The painting is, by any measure, a failure.... Read more... |
The Bride and the Bachelors, Barbican Art GalleryMonday, 18 February 2013
It is often argued that Marcel Duchamp is the single most influential artist of the 20th century, and that Fountain, the porcelain urinal he signed R. Mutt and presented to the world in 1917, the single most influential artwork. But that’s not... Read more... |
Dear World, Charing Cross TheatreThursday, 14 February 2013
It's odd that Jerry Herman merits only a passing mention in Stephen Sondheim's two-volume autobiographical take on Broadway words and music, Finishing the Hat and Look, I Made a Hat. In a couple of subjects Herman chose no less daringly than the... Read more... |
Feast, Young VicSaturday, 02 February 2013
Feast aims high. Very, very high. Steered by experienced and much-lauded director Rufus Norris, five playwrights and one choreographer seek to make a fusion of physical theatre, dance, onstage music, straight drama, abstract poetic dialogue,... Read more... |
Lives in Music #2: How Music Works by David ByrneWednesday, 19 December 2012
Reading How Music Works feels a bit like breaking into David Byrne’s house and randomly nosing around the Word files on his computer. First there’s some stuff about whether specific types of music were subconsciously written with certain acoustic... Read more... |
theartsdesk Q&A: Composer John KanderSaturday, 15 December 2012
In 1972 John Kander and Fred Ebb were invited by Bob Fosse to a private screening of his film version of their hit stage musical, Cabaret. The movie starred their protégée, Liza Minnelli, who at only 19 had won her first Tony in Kander and Ebb’s... Read more... |
DVD: Codependent Lesbian Space Alien Seeks SameFriday, 30 November 2012
With a title like this, you know you’re getting something different. Madeleine Olnek’s first feature is a quirky love story set in her native New York, which is portrayed with enchanting zaniness. Where else would you expect the arrival of... Read more... |
