New York
CD: Angel Haze - Dirty GoldMonday, 06 January 2014
Angel Haze learnt the art of crafting an identity from gigantic pop icons. Raised in what she describes as a cult, she was unable to hear pop music until the age of 14, when she discovered - and devoured - everything at once. Her backstory,... Read more... |
DVD: Frances HaFriday, 03 January 2014
Frances Ha has been likened most obviously to Woody Allen’s Manhattan, but the influence of French New Wave cinema, with films such as Godard’s Breathless, can also be seen. This very likeable and stylish film certainly captures the look and texture... Read more... |
Reissue CDs Weekly: The Best of 2013Sunday, 29 December 2013
Despite his nickname and habit of doing a bunk, George “Shadow” Morton was one of America’s highest-profile and most distinctive producers and songwriters. He was responsible for shaping the sound and style of The Shangri-Las, Janis Ian, Vanilla... Read more... |
Queer as Pop, Channel 4 / The Joy of Abba, BBC FourSaturday, 28 December 2013
Queer as Pop (****) was as much about social as musical history, and Nick Vaughan-Smith’s film told its story with a combination of outstanding archive material and some incisive interviewees, the archive taking fractionally more of the weight.... Read more... |
theartsdesk in New York: The Armory Show at 100Sunday, 22 December 2013
Walk up Central Park West, past the Dakota building and all those plush-looking podiatrists’ offices with their gold plaques, and just before you get to the Museum of Natural History you’ll find the New-York Historical Society and Museum at 77th... Read more... |
Reissue CDs Weekly: The Velvet Underground, Neal Ford & the FanaticsSunday, 01 December 2013
The Velvet Underground: White Light/White HeatThe shadow cast over the reissue of The Velvet Underground’s second album White Light/White Heat by Lou Reed’s recent death is a poignant reminder that an awful lot of time has passed since this... Read more... |
Television, RoundhouseWednesday, 20 November 2013
The expected curveball came an hour in with a completely unfamiliar 14-minute song. Based around a pulsing bass riff, it was a deconstructed merger of The Rolling Stones’s “Paint it Black” and the Spanish side of Love’s Da Capo. A large contingent... Read more... |
LFF 2013: Inside Llewyn DavisTuesday, 15 October 2013
Showbiz is a cruel and mysterious cosmic code that can grind the artist down, before he comes close to cracking it. That’s the message behind the Coen brothers’ elegy to the Greenwich Village folk scene of 1961. Llewyn Davis (Oscar Isaac) stands... Read more... |
Thanks For SharingThursday, 03 October 2013
The new puritanism of the American cinema continues apace with Thanks For Sharing, which follows on from the more elegantly made but comparably dispiriting Shame in positing Manhattan as the most sexually dysfunctional place on earth. What did New... Read more... |
The Lyons, Menier Chocolate FactorySaturday, 28 September 2013
That slice of Broadway-upon-Southwark that is the Menier Chocolate Factory has a toxic treat in The Lyons, Nicky Silver's pitch-black and quintessentially New York comedy about a family so in love with truth-telling that they've all but forgotten... Read more... |
Girl Most LikelyFriday, 27 September 2013
An immensely likeable cast gets pushed to breaking point and beyond in Girl Most Likely, a Kristen Wiig quasi-romcom that is preposterous and obnoxious in turn. The tale of a playwright called Imogene (Wiig) who starts over by returning to her New... Read more... |
CD: Moby - InnocentsSaturday, 21 September 2013
It’s one of the delightful incongruities of pop that Moby continues to be a presence. This 5’7”, bespectacled, bald, 48-year-old New York intellectual hardly seems frontline material in a world where One Direction and Jessie J rule the roost. Even... Read more... |
