sat 16/08/2025

New York

The Grönholm Method, Menier Chocolate Factory - sleek and short but in no way deep

Add Catalan writer Jordi Galcerán to the shortlist of European playwrights who are finding an international perch, in this case with a tricksy four-character play that has had more than 200 productions in over 60 countries. The UK premiere of...

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Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

“Oh say, can you see, by the dawn’s early light” was a vision of the American flag, that star-spangled banner, riding proud from Francis Scott Key’s patriotic poem of 1814 based on an episode in the War of 1812. His sentiments were decades later...

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Red, Wyndham's Theatre - Mark Rothko drama paints a vivid picture

The band’s back together. Alfred Molina plays Rothko for the third time in Michael Grandage’s revisiting of John Logan’s richly textured two-hander, first seen at the Donmar in 2009 and then bypassing the West End for Broadway. Another excellent...

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Patrick Melrose, Sky Atlantic review - an olympiad of substance abuse

Edward St Aubyn’s Patrick Melrose novels have been admired for their prose style, scathing wit and pitiless depiction of a rotting aristocracy. Benedict Cumberbatch claims that Hamlet and Melrose were the two roles he was desperate to play, and now...

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Building the Wall, Park Theatre review - the nature of nightmare

Writer Robert Schenkkan’s Building the Wall imagines modern America in the not-too-distant future. The date is 22nd November 2019 and following an attack on Times Square in which 17 people were killed, martial law has been imposed. Demands for...

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

Shot in 2004 when photographer Robert Frank was 80 (main picture), this award-winning film was aired on The South Bank Show the following year, but is only now on release. I hope the experience was cathartic for Frank, because to the viewer it feels...

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Martin Gayford: Modernists & Mavericks review - people, places and paint

Back in the early Sixties Lucian Freud was living in Clarendon Crescent, a condemned row of houses in Paddington which were gradually being demolished around him. The neighbourhood was uncompromisingly working class and to his glee his neighbours...

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Reissue CDs Weekly: New York Dolls

Playing Vancouver’s Commodore Ballroom on 8 September 1974, the New York Dolls opened their first set of the evening with three cover versions. Muddy Waters’ “Hoochie Coochie Man” was followed by The Shangri-Las’ “(Give Him a) Great Big Kiss” and...

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Bat Out of Hell, Dominion Theatre review - the Meat Loaf musical returns, batty as ever

Back by feverishly popular demand, Jim Steinman’s mega-musical is no longer in danger of alarming unsuspecting opera-goers. A year on from its Coliseum debut, this indisputably bonkers show moves to the West End venue it was surely always destined...

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Wonderstruck review - beautifully designed but emotionally unengaging

What is it about Brian Selznick’s ornate illustrated fictions that leads good directors to make bad films? Turning The Invention of Hugo Cabret into Hugo was a near disaster for Scorsese, and now comes Todd Haynes’s stifling...

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CD: Brazilian Girls - Let's Make Love

This New York band’s first album for a decade is as good as anything else they’ve done, but what were they thinking with the track order? Things get off to an agreeable bouncy Blondie-esque start with first single “Pirates”. But after that there are...

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Wonder Wheel review - Woody Allen and Kate Winslet channel O'Neill

In recent months Woody Allen has been publicly disavowed by a conga line of major film stars. The latest who seems to have expressed regret for working with him – if not by name – is Kate Winslet. She stars in his latest film, and may also feel...

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