National Theatre
theartsdesk Q&A: Actor Simon Russell BealeSaturday, 06 March 2010
The career of Simon Russell Beale (b. 1961) needs little introduction. It took wing with the Royal Shakespeare Company but, give or take the odd foray into other buildings, including work with Sam Mendes at the Donmar Warehouse and more recently... Read more... |
Really Old, Like Forty Five, National TheatreWednesday, 03 February 2010
Okay, now that you’re a citizen of Dystopia, and you’ve reached the regulation old age, it’s time to check into an approved care home. Please enter the Ark, and take your allotted bed. A government official will be with you in due course. Yes, that’... Read more... |
Ockham's Razor, The Mill, Linbury Studio TheatreTuesday, 19 January 2010
Call me old-fashioned, but when a bunch of people have trained in circus and French mime theatre, I’m expecting to be astonished, thoroughly surprised, and occasionally to feel the sweat breaking out on my palms. Can one enjoy circus skills without... Read more... |
Every Good Boy Deserves Favour, National TheatreFriday, 15 January 2010
Over the last 20 years or so, the genre of music we have learnt to associate with the violent assault of a regime upon its adversaries is hard rock blared out on massive speakers at ear-splitting volume, 24/7. First tried out with decisive results... Read more... |
The Habit of Art, National TheatreWednesday, 18 November 2009
It sounded a dry subject and a dry title for Alan Bennett’s first play for five years - a fictional meeting between composer Benjamin Britten and poet W H Auden 25 years after they fell out, two old buggers, one furtive, the other extrovert. But at... Read more... |
Pains of Youth, National TheatreWednesday, 28 October 2009Dateline: Vienna, 1923. In a boarding house, seven young people - most of whom are medical students - find the air of the former Austro-Hungarian Empire’s capital city a heady mix of the sexually invigorating and the morally asphyxiating. At the... Read more... |
theartsdesk Q&A: Playwright David HareSaturday, 10 October 2009
David Hare (b. 1947) has had three distinct phases to his career as a playwright. In the 1970s he was a satirist of the agitprop movement whose plays (Slag, Knuckle) smacked of youthful belligerence. From Plenty (1978) onwards, he devoted two... Read more... |
The Power of Yes, National TheatreTuesday, 06 October 2009David Hare is one of the giants of contemporary British theatre. His skill is to be the Balzacian social secretary who records the mood of the day. So his recent work has examined the state of the nation in a poetic rather than a literal way,... Read more... |
Mother Courage and Her Children, National TheatreSaturday, 26 September 2009Bertolt Brecht was probably made for them: Deborah Warner directing Fiona Shaw in Mother Courage and her Children is as desirable a coupling, surely, as the Warner-Shaw Richard II or Happy Days, both immensely satisfying showcases for the director's... Read more... |
Our Class, Cottesloe, National TheatreThursday, 24 September 2009Nine years ago, historian Jan T Gross published a book called Neighbours. It chronicled, and tried to analyse the reasons for, the massacre of 1,600 Jews in a north-eastern Polish village, Jedwabne, in July 1941. That was a month after Hitler’s... Read more... |
theartsdesk Q&A: Playwright Richard BeanSunday, 20 September 2009Richard Bean's monster mainstage play, England People Very Nice, was about immigration to London's East End - and was easily the most controversial play of 2009. He is a son of Hull (b. 1956). He is one of the most prolific and talented playwrights... Read more... |
Lolita, National TheatreTuesday, 08 September 2009Adrian Lyne met controversy in the cinema with it head on, while Vladimir Nabokov's novel prompted one of the resounding Broadway flops of Edward Albee's stage career. (Trust me: I am among the few who caught its 1981 New York run.) So here is... Read more... |
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