National Theatre
National Theatre, 2012 SeasonWednesday, 11 January 2012
The National Theatre's summer highlights include Simon Russell Beale directed by Nicholas Hytner in Shakespeare's Timon of Athens and Julie Walters as an ageing society dropout in the debut stage play by TV writer Stephen Beresford, The Last of the... Read more... |
2011: We Need To Talk About Grandage and GuvnorsTuesday, 27 December 2011
And what a year it was! Comedy was king on stages around town, while a variety of Shakespeare royals -- Richard III à deux courtesy Kevin Spacey and the lesser-known but far more electrifying Richard Clothier, Richard II in the memorably tremulous... Read more... |
2011: All Watched Over by Matilda and MelancholiaMonday, 26 December 2011
At its best, theatre is enthralling, and this year's offerings were led by one brilliant musical and one amazing comedy. With the West End immune to the chills of the recession, its profits went up, and it warmly welcomed a couple of hits from the... Read more... |
The Comedy of Errors, National TheatreWednesday, 30 November 2011
Sex, spending, violence and debt: life in the city is lived raw in this caustic interpretation of Shakespeare’s comedy by Dominic Cooke. The setting is grimy, graffiti-daubed; shiny apartment blocks vie with sleazy strip joints and brothels, and the... Read more... |
Juno and the Paycock, National TheatreThursday, 17 November 2011
“The whole world's in a terrible state of chassis,” says Captain Jack Boyle more than once during Sean O'Casey's great play, set in 1922 and the second of his Dublin trilogy, bookended by The Shadow of a Gunman (1923) and The Plough and the... Read more... |
Collaborators, National TheatreWednesday, 02 November 2011
“Smackhead, groin doctor and smut-scribe”: that’s one way in which writer Mikhail Bulgakov is described in John Hodge’s debut stage drama. A kind of wild fantasia spun around incidents from Soviet history, the piece goes on to show how Bulgakov –... Read more... |
13, National TheatreTuesday, 25 October 2011
Spooky coincidences make good drama. Mike Bartlett’s epic follow-up to his highly successful 2010 play Earthquakes in London begins with a mind-bogglingly weird situation: every morning in the metropolis, dozens of people wake up and they’... Read more... |
The Veil, National TheatreWednesday, 05 October 2011
Conor McPherson has set his latest play at an interesting point in Irish – and European – history. It is 1822, post-Napoleonic wars, and Ireland is in an economic mess, with impoverished peasants facing the failure of their crops for the second year... Read more... |
Grief, National TheatreWednesday, 21 September 2011
A new play by Mike Leigh is always an event. So there was a palpable excitement in the air at the Cottesloe Theatre (the smallest and most intimate of the three National Theatre auditoria) when his latest opened last night. With a cast that includes... Read more... |
theartsdesk Q&A: Director Mike LeighTuesday, 20 September 2011
There is somewhere called Leighland, where people may be ineffably sad or existentially cheerful, old or young, live in a high rise or a semi. But they are all recognisably inhabitants of the world famously conjured up over a long period of... Read more... |
St Matthew Passion, National TheatreTuesday, 20 September 2011
It’s not like we’re short of operas. Thousands of works spanning over 400 years make up the western operatic repertoire. Of these maybe 100 get a regular airing in contemporary opera houses, with only about 20 making it into the popular... Read more... |
The Kitchen, National TheatreThursday, 08 September 2011
It may not serve up all that much to get your teeth into, but Bijan Sheibani’s production of this 1959 play by Arnold Wesker looks fantastic on the plate. Giles Cadle’s saucepan-shaped set is framed by a giant chalkboard, scrawled over and over with... Read more... |
