musicals
Sleeping Beauty/ FootlooseSaturday, 15 October 2011
We first see Lucy (Emily Browning) as a receptacle, letting a medical tube snake painfully deep down her throat. Australian novelist Julia Leigh characterises such behaviour as “radical passivity”, and her Jane Campion-mentored debut as director... Read more... |
theartsdesk Q&A: Dramatist Lee HallSunday, 02 October 2011
Like his most famous creation, Billy Elliot, Lee Hall left his native North East to pursue what turned out to be a glittering career in the arts. Although I can’t speak for the fictitious Billy, Hall has certainly never forgotten his working-class... Read more... |
Top Hat, The Lowry, SalfordWednesday, 28 September 2011
The only time I saw Ginger Rogers in the flesh was by chance in a book store on New York’s Fifth Avenue. She was doing a book signing (Ginger: My Story – a good read) and was well past her dancing years, but she still had a certain allure. And... Read more... |
West Side Story 50 Years On: The MovieThursday, 15 September 2011
When West Side Story won 10 Academy Awards, that was back in a Hollywood era during which movie musicals regularly garnered such acclaim. Gigi, My Fair Lady, The Sound of Music and Oliver! all bookended the 1961 film adaptation of the landmark... Read more... |
theartsdesk MOT: The Lion King, Lyceum TheatreSunday, 04 September 2011
When The Lion King first opened in London in October 1999, there were cries from some quarters that it was merely following in a long line of stage shows that had been lifted lazily from films. Indeed its creator, Julie Taymor, didn't depart too far... Read more... |
BBC Proms: Hooray for Hollywood, John Wilson Orchestra, WilsonMonday, 29 August 2011
Hooray for Hollywood! The title of last night's Prom didn't officially have an exclamation mark. But if any concert deserved a screamer, it was this one. A delirious mutual enthusiasm pinged back and forth from stage to audience all night as the... Read more... |
South Pacific, Barbican TheatreWednesday, 24 August 2011
"Whoring after the public taste" is how Ingmar Bergman described some rather funny hanky-panky in one of his most singular films. It's what showbusiness thrives on, and it's fine if done well. Yet a decade ago Trevor Nunn crowned the National... Read more... |
theartsdesk MOT: Dreamboats and Petticoats, Playhouse TheatreMonday, 22 August 2011
It's one of the distinctions of the London theatre to be at once highbrow and middle-of-the-road, to offer up esoterica from Ibsen and Schiller while allowing audiences elsewhere the chance to rock out to the beloved pop icons of their choice. And... Read more... |
Q&A Special: On Recreating South PacificSaturday, 13 August 2011
It was early in 1949. South Pacific, the follow-up to Rodgers and Hammerstein’s huge wartime hit Carousel, had entered the try-out phase before hitting New York. Late one night the production team were deep in one of those 11th-hour how-do-we-make-... Read more... |
Crazy For You, Open Air Theatre, Regent's ParkTuesday, 09 August 2011
"Drop that long face," we're urged during the end of the giddy Regent's Park revival of Crazy For You, and if ever there were a time for such sentiments, it came during the lockdown that London remained under during the all too aptly cloud-filled... Read more... |
Ghost the Musical, Piccadilly TheatreTuesday, 19 July 2011
Death means learning to say "I love you" in the woozy world of Ghost, the 1990 film that has become a breathlessly vapid musical sure to keep hen parties happy for some while to come (especially now that Dirty Dancing has closed and Flashdance... Read more... |
Q&A Special: Magician Paul KieveTuesday, 19 July 2011
Hollywood has turned the special effect into a birthright for a generation of movie-goers. “How did they do that?” is no longer a question you hear in the multiplex. In the theatre it’s another thing entirely. Whatever the reception for the show... Read more... |
