mon 25/08/2025

Mozart

Idomeneo, Barbican Hall

Mozart's Idomeneo is subjected to a famous bit of abuse in Milos Forman's Amadeus. "A most tiresome piece," a courtier critic sniffs. "Too much spice. Too many notes." As it happens, not a wholly inaccurate statement. The work is quite an exotic...

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The Magic Flute, Garsington Opera

Tamino and Pamina, in Mozart’s great masonic opera, go through fire and water, as well as trials spiritual and emotional, before achieving their sunlit triumph at the end of it all. They would have sympathy with Anthony Whitworth-Jones and his...

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theartsdesk Q&A: Trumpeter Alison Balsom

A tall and exceptionally striking Valkyrie of a blonde, Alison Balsom (b 1978) is the polar antithesis of a hard-drinking, slightly tubby, very male trumpeter from central casting. For the photoshoots which fetch up on her CD sleeves, and public...

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Don Giovanni, Glyndebourne Festival Opera

Two 1950s Mozarts in one weekend might seem like pressing the contemporaneity of great art unnecessarily far. But Jonathan Kent’s Glyndebourne Don Giovanni, revived on Sunday, is a much less crude update than the WNO Così. True, the dramatis...

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Così fan tutte, Welsh National Opera, Cardiff

“I’ve seen an asp, a hydra, a basilisk”, Fiordiligi sings as she tries to ward off Ferrando in the second act of Mozart’s cynical dissection of true love. Benjamin Davis’s new production for WNO converts these beasts into a crocodile, a dragon,...

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English National Opera 2011-12 Season

Contemporary music and 11 new productions are at the heart of a strong ENO 2011-12 season announced today. Highlights include a new opera from Damon Albarn (Doctor Dee) on the extraordinary life of Elizabethan alchemist and...

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Miloš Karadaglić, LPO Foyle Future Firsts, 100 Club

Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s...

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Classical CDs Round-Up 17

'Bypassing any tradition-encrusted patina': Sigurd Slåttebrekk has attempted to reproduce Grieg

This month, we’ve some virtuoso pianola, Bruckner and Chopin get downsized, and there’s some full-fat Mahler. Rare American orchestral works rub shoulders with Mozart, and a Russian conductor gives his final performance. A British pianist tackles...

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A Magic Flute, CICT/Théâtre des Bouffes du Nord, Barbican Theatre

Abdou Ouloguem, one of the two actors out-charming the singers in a purgatorial dream world

Without the definite article, what kind of a Flute is Peter Brook's - beyond, that is, the literal manifestation of a stick on a string that makes no soothing noises? Best describe it as a crescent moon of a version, loosely based on Schikaneder's...

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Douglas Gordon: K.364

'The journey seems agonisingly slow, interspersed as it is by desultory, Impressionistic fragments'

After writing about a recent survey of French artist Philippe Parreno at the Serpentine Gallery last year, I found myself wondering about his collaboration with the Scottish artist Douglas Gordon. In 2006 the two artists made the acclaimed film...

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Vogt, BBC Symphony Orchestra, Bělohlávek, Barbican Hall

As Mahler symphonies rain down from heaven - or flare up from hell, according to your viewpoint - in this second anniversary year, it's wise to choose carefully. But why earmark Jiří Bělohlávek's performance of the Sixth above the likes of Gergiev,...

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The Marriage of Figaro, Dragon Opera, The Gate, Cardiff

Llio Evans and Annie Sheen as Susanna and Cherubino: Witty, eye-catching, uninhibited

Dragon Opera (or Opera’r Ddraig, if you insist: they don’t) is in every sense a young company, founded a mere two years ago, and based at Cardiff’s Royal Welsh College of Music and Drama. Its singers, directors and orchestral players are nearly all...

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