Mozart
Lichfield Festival 2016Saturday, 09 July 2016
You know, of course, why you should always choose the left leg of a roast partridge? Because that’s the leg the bird stands on when resting: it’s plumper, tastier and altogether more succulent. These things matter, and in Jean Francaix’s... Read more... |
The Magic Flute, Iford Manor GardenSaturday, 09 July 2016
To reach Sarastro's temple of wisdom, you have to climb a series of exquisitely manicured terraces to a tiny cloister in one of the world's great gardens. Iford Arts have been inviting high-quality small opera companies to perform and produce their... Read more... |
Le Nozze di Figaro, Longborough Festival OperaMonday, 27 June 2016
“It doesn’t need me,” Sebastian Thomas writes in this season’s Longborough programme, “to labour the idea that the content of a theatrical or musical piece should find some relevance to our own lives.” No, indeed. Practically every director one... Read more... |
Idomeneo, Garsington OperaThursday, 23 June 2016
Natural disaster, in the shape of a metaphorical sea-monster ravaging classical Crete, might make a director's imagination work overtime on Mozart's first, jagged masterpiece. Alas, only unnatural disasters have been inflicted upon us in productions... Read more... |
Don Giovanni, Classical Opera, Page, Cadogan HallSaturday, 18 June 2016
Mozart operas on period instruments – it’s hardly a new idea, but it’s still the exception rather than the rule. The 18th–century sound has a lot to offer in Don Giovanni, as Ian Page and his Classical Opera Company demonstrated this evening. Clear... Read more... |
Cottier Chamber Project 2016, GlasgowSaturday, 18 June 2016
It should have been a complete disaster. Not announcing your festival’s programme until barely a week before it started ought to have guaranteed that nobody knew about it – no press, no audiences, other plans made, other things booked.But still they... Read more... |
Classical CDs Weekly: Mozart, Vivancos, Rufus WainwrightSaturday, 21 May 2016
Mozart: Serenade in B flat major, 'Gran Partita', Royal Academy of Music Soloists Ensemble/Trevor Pinnock (Linn)Mozart's Gran Partita is a multi-movement work longer than many romantic symphonies, hardly what we'd expect from a serenade. It's... Read more... |
Die Zauberflöte, Budapest Festival Orchestra, Fischer, RFHWednesday, 11 May 2016
Sunlit golden mean or slightly hazy middle-of-the-road? Conductor-director Iván Fischer's fully costumed and imagined concert of The Magic Flute - or perhaps it would better have been titled Die ZauberFlute given its intelligent mix of sung German... Read more... |
theartsdesk Q&A: Violinist and Conductor Nikolaj ZnaiderSunday, 08 May 2016
Unquestionably one of the greats as a performer, Danish-Israeli violinist and conductor Nikolaj Znaider divides opinion over his forthright views in interview: either honourable and refreshingly candid, or troublingly indiscreet. After an hour and a... Read more... |
Classical CDs Weekly: Bach, Stravinsky, Tchaikovsky, Diana AmbacheSaturday, 12 March 2016
Bach: The French Suites Peter Hill (piano) (Delphian)Start trying to explain exactly why this latest instalment in Peter Hill’s Bach series is so good and it might seem as if you’re dismissing the very things which make it great. This is pianism... Read more... |
Classical CDs Weekly: Chagrin, Dukas, MozartSaturday, 05 March 2016
Francis Chagrin: Symphonies 1 and 2 BBC Symphony Orchestra/Martyn Brabbins (Naxos)Born Alexander Pauker in Bucharest in 1906, Francis Chagrin's name change occurred after pitching up in Paris in the early 1930s to pursue a musical career, his... Read more... |
The Marriage of Figaro, Welsh National OperaFriday, 19 February 2016
From the more or less inconsequential wit and bravura of The Barber of Seville to the profound comic psychology, social nuances and unparalleled musical genius of The Marriage of Figaro, and from the silly antics of Sam Brown’s Rossini to the style... Read more... |
