money
albatross., Playground Theatre review - interconnected intimaciesWednesday, 27 October 2021
"You need to get better at communicating", says one character to another in Isley Lynn’s albatross. Indeed, the same advice would fare well with many of those in the Anglo-American Lynn’s new play, where miscommunication plagues a range of... Read more... |
ANNA X, Harold Pinter Theatre review - lacking in substanceTuesday, 20 July 2021
There just isn’t enough there, with ANNA X. Daniel Raggett’s production is the third and final of the RE:EMERGE season at the Harold Pinter Theatre, with Emma Corrin of Lady Di fame in the lead. The graphic design – the brightly-striped faces of... Read more... |
The Invisible Hand, Kiln Theatre review - balanced on a knife edgeThursday, 08 July 2021
A lot’s changed since Kiln Theatre boss Indhu Rubasingham directed The Invisible Hand’s first UK outing in 2016, not least the theatre’s name (it was known as the Tricycle back then). But in Rubasingham’s capable hands, American Ayad Akhtar’s taut... Read more... |
French Exit review - Michelle Pfeiffer faces mortalitySunday, 04 July 2021
Michelle Pfeiffer all but purrs her way through French Exit, as befits a splendid actress who cut a memorable Catwoman onscreen nearly thirty years ago. Playing a New York grande dame who deals with bankruptcy by decamping with her son Malcolm (... Read more... |
Bank Job review - an inspirational look at financeWednesday, 09 June 2021
A fun film about finance – really? From the very first frame I was hooked on this can-do documentary; it’s that good. A young family – parents, Dan Edelstyn and Hilary Powell, two kids and two dogs – gather at the front door of their Victorian... Read more... |
Money, Southwark Playhouse online review - ethical dilemmas for the Zoom generationMonday, 03 May 2021
To accept or not accept a donation: that’s certainly the burning political question of the moment. So Isla van Tricht’s play Money – specially designed for Zoom – has proven more timely than even perhaps she suspected, though the question is made... Read more... |
The Wolf of Wall Street, 5-15 Sun Street review - energetic but to what end?Friday, 29 November 2019
Of all the groups you probably wouldn’t want to be part of, surely the hyper-adrenalised, hardscrabble populace of The Wolf of Wall Street, the Jordan Belfort memoir made into an amphetamine rush of a film by Martin Scorsese, must rank near the... Read more... |
The Lehman Trilogy, Piccadilly Theatre review - stunning chronicle of determination and dollarsThursday, 23 May 2019
Mammon and Yahweh are the presiding deities over an epic enterprise that tells the story not just of three brothers who founded a bank but of modern America. Virgil asked his Muse to sing of ‘arms and the man’, yet here the theme becomes that of ‘... Read more... |
Other People's Money, Southwark Playhouse review - onetime Off Broadway hit retains its stingSaturday, 04 May 2019
Deft and funny and nicely cast, what's not to like about Other People's Money, the era-defining Jerry Sterner play in revival at Southwark Playhouse? The play's 1989 premiere Off Broadway allowed for a contemporary skewering of the roaring,... Read more... |
Sadie Jones: The Snakes review - lacking feelingSunday, 03 March 2019
Bea and Dan are a young married couple. They have a mortgage on their small flat in Holloway and met while out clubbing in Peckham. She’s a plain-looking, modest and hard-working psychotherapist; he’s putting in the hours as an estate agent having... Read more... |
DVD: Generation WealthFriday, 19 October 2018
“Psychopathologies come and go but they always tell us about the historical time period in which they’re produced.” So says the journalist and academic Chris Hedges in Lauren Greenfield’s documentary Generation Wealth. The idea the film plays with... Read more... |
£¥€$ (LIES), Almeida Theatre review - financial frolics at the gaming tableMonday, 06 August 2018
Theatre critics tend not to experience an 140 percent increase in their financial assets within 21 minutes. So on that remarkable front alone, the London premiere of the Belgian £¥€$ (LIES) is giddily immersive fun, at least up until such time... Read more... |
