LSO
Schwanewilms, Connolly, Crowe, LSO, Elder, BarbicanFriday, 09 May 2014
Mozart usually makes a fine concert bedfellow for his most devoted admirer among later composers, Richard Strauss. With the proviso that the 39th rather than the 38th Symphony would have made a better prologue to excerpts from Der Rosenkavalier last... Read more... |
Reissue CDs Weekly: John TavenerSunday, 20 April 2014
John Tavener: The Protecting VeilIn its tribute to John Tavener which followed his death last November, theartsdesk acknowledged the difficulties his devotional music brought. David Nice asked “what was there here that I couldn’t get from a... Read more... |
Trifonov, LSO, Gergiev, BarbicanMonday, 14 April 2014
This concert brought to a close the London Symphony Orchestra's focus on Scriabin, in a series appropriately titled "Music in colour". The Third Symphony was partnered here with Messiaen’s early work Les offrandes oubliées and Chopin’s Second Piano... Read more... |
LSO, Gergiev, BarbicanMonday, 31 March 2014
The Tchaikovsky de nos jours, is Theodore Gumbril’s dismissal of Skryabin in Aldous Huxley’s Twenties novel Antic Hay. For some reason, Alexander Skryabin has suffered more than most from snap judgements of this kind. He has been the woolly... Read more... |
Classical CDs Weekly: Beethoven, Bloch, StravinskySaturday, 29 March 2014
Beethoven: Piano Concertos 2 and 4 Mahler Chamber Orchestra/Leif Ove Andsnes (piano and director) (Sony)You know that this will be good after just a few seconds; Beethoven's comically strait-laced opening gesture promptly answered by a smartly... Read more... |
Vengerov, LSO, Pappano, BarbicanMonday, 03 February 2014
An all-British programme – with plenty of Italian flavours – opened to a sold-out Barbican Hall with the overture In the South (Alassio), composed by Elgar during a stay on the Italian Riviera. It isn’t one of his most memorable scores, but it still... Read more... |
Jansen, LSO, Pappano, BarbicanFriday, 31 January 2014
There were, it seemed, enough trumpets to serve Gabriel throughout eternity - and, as fanfares go, this one was stretching a point and then some. LSO On Track had commissioned it from Sir Peter Maxwell Davies and, true to the spirit of this... Read more... |
Stotijn, Fritz, LSO, Harding, BarbicanThursday, 21 November 2013
The alpha (Schubert) and omega (Mahler) of Austrian romanticism made for a musically satisfying pairing as the London Symphony Orchestra resumed normal service after its recent Gergiev-Berlioz marathon. Buoyed by the contrasting delights of a... Read more... |
Gergiev: a response and an open letterWednesday, 06 November 2013
Following theartsdesk's Monday opinion piece on reasons for moving towards a boycott on Valery Gergiev's concerts, and in the general climate created by other reports and protests, the conductor has issued the following statement, to which David... Read more... |
Opinion: Why I won't attend Gergiev's concertsMonday, 04 November 2013
Last Thursday I was giving a talk before a concert in Birmingham, decently but not inspiringly conducted by the much-liked Vasily Sinaisky. Had I been in London I could have taken my pick between two greater interpreters, Valery Gergiev launching... Read more... |
La Damnation de Faust, LSO, Gergiev, BarbicanMonday, 04 November 2013
Berlioz wanted to make the first arrival of his demon onstage unforgettable, with an extreme sound effect - violins and violas marked sul ponticello, strettissimo, starting fortissimo, with interjections from three trombones snarling in minor... Read more... |
Uchida, London Symphony Orchestra, Ticciati, BarbicanFriday, 20 September 2013
Rumour machines have been thrumming to the tune of “Rattle as next LSO Principal Conductor”. Sir Simon would, it’s true, be as good for generating publicity as the current incumbent, the ever more alarming Valery Gergiev. But if the orchestra... Read more... |
