wed 14/05/2025

LPO

London Philharmonic Orchestra, Jurowski, Royal Festival Hall

Dissatisfied housewives who eventually stand by their men joined jewelled hands in a divine evening of operatic decadence. Suppressed Bianca all but steps over the body of her strangled lover to get at the muscles of her killer husband in Zemlinsky’...

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Ravel Double Bill, Glyndebourne Festival Opera

Ravel composed only two operas, both one-acters, widely separated in time, superficially very different, but both in a way about the same thing: naughtiness. In L’Heure espagnole (1911), the clockmaker’s wife, Conceptión, entertains a succession of...

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Le nozze di Figaro, Glyndebourne Festival Opera

It's amazing how long it takes to realise that we're in the 1970s in Michael Grandage's new Glyndebourne production of Le nozze di Figaro. The mansion house suggests that we're in the 18th century. The light and latticework says we're in Mozart's...

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Alternative National Anthems

With Euro 2012 about to end and the Olympics looming, we'll be hearing an awful lot of national anthems over the next couple of months. Don't we all agree that the majority of them are inadequate - often being turgid tunes with no reference to the...

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La Cenerentola, Glyndebourne Festival Opera

Rossini's La Cenerentola is not an opera that I'd normally recommend to anyone with even half a brain. It takes the simple if mildly nauseating little tale of Cinderella, pads it out with parental abuse and drawn out cliffhangers, and ends in a pass...

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Helmchen, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

Two more contrasting pianists than Yuja Wang and Martin Helmchen would be hard to find. To move within 24 hours from the glittering assault of Wang’s technique to the restrained, almost introverted, Helmchen is an exercise in extremes, and one that...

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Currie, LPO, Vänskä, Royal Festival Hall

A mischievous part of me firmly believes that from the mountain of dubious art works produced in the world since the 1980s, the most dubious of all have been the percussion concertos. I know I’m being somewhat harsh, for I’ve thrilled along with...

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The best and worst national anthems? Time to award the medals

The onerous task of recording all 205 national anthems for playing at the Olympics medal ceremonies has fallen on the London Philharmonic Orchestra. An edited group of 36 players has recorded the anthems at the Abbey Road Studios in 60 gruelling...

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Bell, LPO, Jurowski, Royal Festival Hall

Despite the best attempts of Stephen Johnson’s programme notes to create synthesis from last night’s London Philharmonic Orchestra concert, there was something rather smash and grab about the programming. It was as though Jurowski, suddenly inspired...

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Hough, London Philharmonic Orchestra, Alsop, Royal Festival Hall

Poor old Stephen Hough. The Liszt double. Again! Was he not at all Liszted out after last year's epic bicentenary? Were we not Liszted out by last year's epic bicentenary? Hough has been living, breathing and eating these two pieces for the past...

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Jansen, London Philharmonic Orchestra, Nézet-Séguin, Royal Festival Hall

At last, a bag of sweets! In earlier concerts from Vladimir Jurowski’s LPO series Prokofiev: Man of the People? much time was spent  consuming the composer’s flat soufflés, experimental rock cakes, or the fancy dish that was really haddock....

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Fleisher, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

The London Philharmonic’s current festival – Prokofiev: Man of the People? – is all about the question mark. While the festival’s concerts, lectures and even its classical club-night each make their own statement, the overarching spirit here is one...

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