mon 11/08/2025

Ireland

CD: Hozier - Hozier

All lovers of music have styles they're drawn to and others they loathe. For me the continuing rise of the whiney, vulnerable, male singer-songwriter, his falsetto-flecked voice emoting non-specific but all-encompassing woes, is anathema. Poor old...

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This World: Ireland's Lost Babies, BBC Two

We think we know the story. As recounted in Philomena, in the 1950s and ‘60s the Irish state and Catholic Church colluded in putting children born out of wedlock up for adoption. A small minority was sent to America, causing a lifetime of trauma and...

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Ballyturk, National Theatre

In his masterly essay in the programme for Enda Walsh's latest play, Colm Tóibín warns against attempting to pin his work to a particular philosophical position, but simply to read into it a metaphor for humanity's efforts to cope with life while...

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theartsdesk in Limerick: A Royal Visit From Grandma

The traffic warning signs into Limerick City from Shannon Airport told their own story: first “Giant saga in progress”, then “City of Culture giant event”, followed by “Giant’s diversion”. Had Finn McCool made a return visit and started reciting...

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Jezebel, Soho Theatre

If comedy is tragedy plus time, either too much has elapsed since the fictional events of Jezebel, or not quite enough. Newcomer Mark Cantan's uneven screwball comedy pitting a methodical couple against a scatter-brained opposite with wacky...

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Quirke, BBC One

They’re calling it Dublin noir and, on first showing, there’s something very stylish about the BBC’s new three-part drama starring Gabriel Byrne. Pubs and cigarette smoke and long, smouldering looks help the cause. There’s plenty of rain too, and a...

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Run and Jump

Not a lot gets spoken in Run and Jump, the gently eloquent first feature from San Francisco-born filmmaker Steph Green, a dramatic strategy that leaves the actors to charge the unsaid with meaning and the audience - not to mention Ireland, ah...

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CD: CrossHarbour - CrossHarbour

Materializing out of London's thriving traditional Irish music scene, this debut recording from new five-piece CrossHarbour presents an 11-track collection whose appeal should go way beyond traditional Irish music initiates. Featuring a judicious...

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The Silver Tassie, National Theatre

"I don't think it makes a good play, but it's a remarkable one," Sean O'Casey famously remarked of The Silver Tassie, his late-1920s drama about the depredations of war, and how simultaneously right and wrong he was. To be sure, his four-act play...

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Christy Moore, Royal Festival Hall

“You’re great listeners. You have surrendered your ears.” The reverent hush that descended for two hours on the Festival Hall is a new sort of sound at a Christy Moore concert. There was a time when such a gathering would bristle with fervour....

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CD: Wallis Bird - Architect

The ease with which Wallis Bird can flit between genres armed with nothing but a guitar and her warm, raggedly bluesy voice has been apparent since at the very least her 2012 self-titled third album. Even still, those of us who fell for that album’s...

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Calvary

"I first tasted semen when I was seven-years-old." Those are the first words spoken in Calvary, the superb second film from writer-director John Michael McDonagh. They're delivered by an unseen confessor addressing Father James Lavelle (Brendan...

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