indie
Richard Hawley, Barrowland, Glasgow - black clad crooner's songs remain full of atmosphere and heartThursday, 17 October 2019
When Richard Hawley arrived onstage, he had a confession to make. “I like to talk”, he declared, before adding “and play rock n’ roll”. Both were delivered in ample supply during the ensuing performance, the black clad quiff wearing troubadour a... Read more... |
CD: Mark Lanegan Band - Somebody's KnockingSaturday, 12 October 2019
Spaghetti Western guitar, rumbling bass, a rattling keyboard pulse and an unyielding forward thrust combine to delineate Somebody's Knocking’s opening cut “Disbelief Suspension”. Then there’s that growling yet melodic voice delivering sinister lines... Read more... |
Two Door Cinema Club, O2 Academy, Glasgow - lively but risk averse party songs for the weekendMonday, 07 October 2019
The onstage arrival of Two Door Cinema Club was heralded by a tongue-in-cheek video countdown that reached zero and then flashed up an error message, before asking the crowd to “try again”. In truth, the band’s own performance was never likely to... Read more... |
CD: Trentemøller - ObverseThursday, 26 September 2019
Since the mid-2000s, Anders Trentemøller has been a major part of the European live circuit. A long time indie rock musician in his native Copenhagen, he had actually come to prominence as a fairly commercial electro-house remixer, but it was his... Read more... |
theartsdesk in Hamburg: Reeperbahn Festival 2019 reviewSunday, 22 September 2019
Hatari’s 10th placing in this year’s Eurovision Song Contest hasn’t done them any harm. Neither did ruffling the feathers of the European Broadcasting Union and host nation Israel with their stance on Palestine. Based on their performance in Hamburg... Read more... |
Muse, 02 review - bombastic Brit-rock with a sci-fi themeMonday, 16 September 2019
For a band mostly known as a brilliantly ludicrous cocktail of other’s people’s sound-styles, the Simulation Theory tour is proof that Muse have become musical legends in their own right.Yes, their progressive rock is the combined conglomeration... Read more... |
Edwyn Collins, Concorde 2, Brighton review - enjoyable evening of tight guitar popFriday, 13 September 2019
In March of this year Edwyn Collins released his ninth studio album, Badbea, his fourth since two life-altering cerebral haemorrhages derailed him in 2005. It’s a vivacious collection that runs the gamut of what guitar pop can be, from acoustic... Read more... |
What Girls Are Made Of, Soho Theatre review - euphoric gig-theatreFriday, 13 September 2019
It’s now Edinburgh Fringe transfer season in London, but here’s one they made earlier: Cora Bissett’s Fringe First-winning autobiographical play from the 2018 Festival about her time in 1990s indie band Darlingheart. Though the broad shape of this... Read more... |
CD: Metronomy - Metronomy ForeverWednesday, 11 September 2019
According to Metronomy maestro Joseph Mount, his first attempt of album number six was a much snappier affair. But it wasn’t until he broke from his self-imposed immediacy that it started connecting with him. In its final form, Metronomy Forever... Read more... |
Reissue CDs Weekly: Tunnelvision - Watching the HydroplanesSunday, 01 September 2019
A ghostly voice pronounces “there’s no need to make the sepulchre white.” Following this declaration, what sounds like an ocarina wails mournfully over spindly guitar, a sonorous bass guitar and circular, heartbeat drumming. Tunnelvision’s “Whitened... Read more... |
theartsdesk on Vinyl 52: Yardbirds, Fad Gadget, Spoon, Cate le Bon, Cabaret Voltaire and moreSaturday, 31 August 2019
Welcome to the latest edition of theartsdesk on Vinyl, the monthly online musical resource that knows no genre boundaries as it treks through every release on plastic that it can find. This time round we’ve everything from death metal to obscure... Read more... |
CD: Ezra Furman - Twelve NudesMonday, 26 August 2019
“This is our punk record,” says Ezra Furman of Twelve Nudes in its PR bumpf. In practice, the punk slant is manifested through distorted guitars, hell-for-leather tempi and howling vocals. The edgiest moment is the 55-second “Blown”, a close... Read more... |
