Globe
Cymbeline, Sam Wanamaker PlayhouseWednesday, 09 December 2015![]() There’s a happy, cyclical logic to this first production of Cymbeline – Shakespeare’s late tragicomedy of love and jealousy – at the Globe’s Sam Wanamaker Playhouse. The first play Shakespeare wrote for the candle-lit, indoor Blackfriars Playhouse,... Read more... |
Pericles, Sam Wanamaker PlayhouseThursday, 26 November 2015![]() Pericles is a play of voyages. Lands and landscapes crowd in, one after the other – Tyre, Tarsus, Ephesus, Antioch, Mitylene – until our dramatic sea-legs are decidedly unsteady. The demands are great for any theatre, but for the Globe’s tiny... Read more... |
Thomas Tallis, Sam Wanamaker PlayhouseSunday, 08 November 2015![]() Jessica Swale’s Thomas Tallis is the first new play commissioned for the Sam Wanamaker Playhouse – the beginning, hopefully, of the same relationship the Globe itself has always had with new writing. In concept, it’s everything this unique space... Read more... |
When Hamlet came to a Syrian refugee campSunday, 01 November 2015It would have been impossible to go to Syria. Our plan to perform Hamlet in every nation in the world faced its biggest obstacle to date and the Globe producers were left pondering a Plan B. We considered performing in a Syrian embassy - technically... Read more... |
Nell Gwynn, Shakespeare's GlobeFriday, 25 September 2015![]() “Comedy, love and a bit with a dog,” counselled Henslowe in Stoppard’s Shakespeare in Love, and his populist advice is taken to heart in this broad, bawdy, big-hearted farce untroubled by nuanced characterisation or context. Jessica Swale’s ... Read more... |
Baroque Alehouse, Eike, Sam Wanamaker PlayhouseTuesday, 22 September 2015![]() Sunday evening may have been all about melancholy at the Sam Wanamaker Playhouse, but last night Bjarte Eike and his uproariously talented Barokksolistene traded wails for ales and one of their legendary alehouse sessions at the Globe’s Sam... Read more... |
The restoration of Nell GwynnTuesday, 22 September 2015![]() I never thought I’d be a writer. Writers are people with something to say, big ideas, agendas. I was a director, through and through. I love working with actors, playing with music and text, thinking in three dimensions. The solitary confinement of... Read more... |
Anne Boleyn's Songbook, Alamire, Sam Wanamaker PlayhouseMonday, 14 September 2015![]() Later this week David Skinner’s Alamire ensemble will collect the Early Music Gramophone Award for The Spy’s Choirbook, but last night it was the group’s follow-up album that was in the spotlight (or rather the candlelight) in a performance at the... Read more... |
The Heresy of Love, Shakespeare's GlobeThursday, 06 August 2015![]() Helen Edmundson’s The Heresy of Love may be set in 17th century Mexico and follow the conflict between strict religion and personal development, but its theme of a woman denied her voice by a surrounding male hierarchy retains real contemporary... Read more... |
Richard II, Shakespeare's GlobeFriday, 24 July 2015![]() The earthy contact with groundlings that Shakespeare’s Globe offers in its stagings makes a comical but telling context for Richard II, a play largely about political point-scoring between kings. The people whose interests lie so remote, in reality... Read more... |
theartsdesk Q&A: Director Michael LonghurstMonday, 06 July 2015![]() Is there more than one Michael Longhurst? As sometimes happens in theatre, a rising young director seems to be everywhere at once. His calling card is the modestly universal Constellations. Directed with clarity and simplicity, Nick Payne’s romantic... Read more... |
Measure for Measure, Shakespeare's GlobeFriday, 03 July 2015![]() If Simon McBurney’s Measure for Measure for the National Theatre and Declan Donnellan’s recent Cheek By Jowl production mined deep for darkness, Dominic Dromgoole’s for the Globe is content to skim the play’s sunny surface – the comedy manqué that... Read more... |
