thu 18/09/2025

Germany

theartsdesk at the Leipzig Bach Festival: a cantata blockbuster

If you ever find yourself in Leipzig at a weekend during school term, the Bach motet (and occasionally cantata) performances in the great cantor’s old church, the Thomaskirche, are an absolute must. But if you happened to be in that city this...

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DVD/Blu-ray: The Goalie's Anxiety at the Penalty Kick

The invaluable work being carried out by the Wim Wenders Foundation to preserve the legacy of the great German director continues to bear fruit. In 2012, with the help of the World Cinema Foundation, Wenders bought back his entire back catalogue (...

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Lohengrin, Royal Opera review - swan mystery musically illuminated

It's awfully long for a fairytale in which a mystery prince helps a damsel in distress, and she asks him the question she shouldn't. Myth tends to go deeper, as Wagner did in The Ring of the Nibelung after Lohengrin. Here he captures the magic of...

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Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mind

Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship...

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Bavarian State Orchestra, Kirill Petrenko, Barbican review - Mahler's Seventh as dance suite

Serendipity as well as luxury saw to it that the night after Simon Rattle gave his farewell Festival Hall performance as music director of the Berlin Philharmonic, his imminent successor appeared over at the Barbican with another excellent German...

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Line of Separation, All 4, review - handsome if soapy epic

You don’t see a lot of German drama imported to British television. France, Italy, Scandinavia, yes. But the biggest country in Europe is less of a player. The great exception – and it really was great - was Deutschland 83, a thrilling hit when...

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theartsdesk in Bremen: 150 years of A German Requiem

STOP PRESS (10/4/2020): this performance is up for a short period on the Deutsche Kammerphilhamonie's website for free viewing. Paavo Järvi is offering a live Q&A on conducting Brahms on Saturday 11 April 2020.They did things differently in 1858...

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The Moderate Soprano, Duke of York's Theatre review - love and opera with a flinty edge

"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of...

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Robin Ticciati on conducting Brahms: 'trying to understand the man through his music'

Edinburgh, October 2015. Robin Ticciati is still flying high from a remarkable performance of Brahms's First Symphony, the start of an intended cycle with his Scottish Chamber Orchestra in his seventh season as principal conductor. After a...

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Faust, LSO, Gardiner, Barbican review - Schumann as never before

When a great musician pulls out of a concerto appearance, you're usually lucky if a relative unknown creates a replacement sensation. In this case not one but two star pianists withdrew – Maria João Pires, scheduling early retirement, succeeded by...

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Hallenberg, LSO, Gardiner, Barbican review - palpitating Schumann and Berlioz

Violins, violas, wind and brass all standing for Schumann: gimmick or gain? As John Eliot Gardiner told the audience with his usual eloquence while chairs were being brought on for the Berlioz in the first half of last night's concert, Mendelssohn...

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Civilisations, BBC Two review - no shocks from Schama

Lord Clark –  “of Civilisation”, as he was nicknamed, not necessarily affectionately – presented the 13 episodes of the eponymous series commissioned by David Attenborough for BBC Two in 1969; it was subtitled “A Personal View”, and encompassed...

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