thu 21/08/2025

France

Pelléas et Mélisande, Barbican Hall

"Ne me touchez pas! Ne me touchez pas!" Mélisande's jittery first words could be the motto for the whole of Pelléas et Mélisande. How to touch, what to touch, when to and when not to touch, more specifically, how to mark without bruising,...

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Joan Miró: The Ladder of Escape, Tate Modern

'Dog Barking at the Moon': Miró used recurring motifs in his work, including the ladder, the dog and the moon

I used to love Joan Miró. Those cute biomorphic forms; those elegantly elusive doodles; those engagingly befuddled, cartoonish faces, each staring forlornly out of the cosmic soup of Miró’s playful imagination; and, of course, those bright, jazzy...

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Adèle Blanc-Sec

BD, pronounced bédé, is short for "bande déssinée", the French equivalent of the comic strip or graphic novel, which has long been accorded a popular affection and cultural standing well beyond that of its anglophone equivalent. Luc Besson says he...

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DVD: Of Gods and Men

'Leaving means dying': The monks of Tibhirine debate their future

At the risk of sounding falsely pious, as this stunning film never is, Des hommes et des dieux, to give its differently emphasised French title, should be screened in every school and to every faith around the world. Xavier Beauvois sensitively...

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Keren Ann, Jazz Café

Keren Ann’s new album, 101, might showcase her new-found pop smarts but last night’s hour-and-a-half set ranged through her whole catalogue taking in country-flavoured balladry, early Velvet Underground chugging and introspective singer-songwriting...

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Cave of Forgotten Dreams

The first thing that must be said is the paintings, captured by Herzog and his crew, are breathtaking beyond description. Among the animals depicted with remarkable clarity are mammoths, horses, bison, rhinoceros, ibex, lions and the only known...

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The Umbrellas of Cherbourg, Gielgud Theatre

Zut alors! A gifted English theatre artist, Emma Rice, comes a serious Gallic cropper with The Umbrellas of Cherbourg, a stage musical adaptation of the through-sung 1964 movie that only succeeds in making the recent, prematurely departed Love Story...

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First UK show for Arnaud Fleurent-Didier

Arnaud Fleurent-Didier’s La Reproduction was one of the most striking albums of last year. The news that he and his band are playing the UK for the first time next week at the Institut Français is exciting as La Reproduction was more than great...

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Watcha Clan, Rich Mix

Watcha Clan: They should stop trying to be all things to all music fans

Why do bands still insist on dabbling in drum’n’bass? It was always an absurd, overwrought style, even when it first assaulted our eardrums in the mid-1990s. It’s more like a technological malfunction of the drum machine than a natural, felt groove...

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Antoine Watteau, Royal Academy and Wallace Collection

As a young man searching for a way to make a living in Paris, Antoine Watteau briefly tried his hand at engraving fashion plates. He seems to have had a natural affinity for cloth and drew its folds and creases with such apparent ease that you can...

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Dialogues des Carmélites, Guildhall School of Music & Drama

Let's begin at the end. Isn't the nuns-to-the-scaffold scene which concludes Poulenc's ultimate testament of doubt and faith the deepest, most heart-wrenching finale in all opera? It even has the edge over Richard Strauss's Rosenkavalier trio and...

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The Centaur and the Animal, Sadler's Wells

To achieve a black stage that emits or reflects no light is a hell of an achievement. To place a huge black horse with black rider onto that stage, without the slightest noise, and to contrive a black shadow on the black, is to create an image found...

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