fiction
Treasure Island, National Theatre at Home review - all aboard this thrilling adventure storyFriday, 17 April 2020
Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features... Read more... |
Who You Think I Am review - Juliette Binoche dazzles as she wrestles with dual identitiesThursday, 16 April 2020
With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth.... Read more... |
Nathalie Léger: The White Dress review – masterfully introvertedSunday, 22 March 2020
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator – a scarcely fictional version of herself – is of the... Read more... |
Hilary Fannin: The Weight of Love review – unravelling knotty livesSunday, 15 March 2020
The relationship between Joe, Robin and Ruth is far from your average love triangle. On the face of it, Robin loves Ruth, but after introducing her to his charismatic friend Joe – an artist and renegade – their affair reroutes all of their lives... Read more... |
Michael Nath: The Treatment review - 'deeds, and language, such as men do use'Sunday, 01 March 2020
Great writing about – or set in – London has one thing in common: voice. It’s tuned into the city’s multiple frequencies, its sometimes marvellous, sometimes maddening mix of different registers and rhythms. It adopts and adapts the capital’s... Read more... |
Imagining Ireland, Barbican review - raising women's voicesMonday, 24 February 2020
Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these... Read more... |
Patricia Grace: Potiki review – a searching examination of human natureSunday, 23 February 2020
With the publication of her first work, Waiariki (1975), Patricia Grace became the author of the first ever collection of short stories by a Māori woman. In the four-and-a-half decades since, she has established herself as a canonical figure in... Read more... |
Clemens Meyer: Dark Satellites review - eccentric orbitsSunday, 26 January 2020
In Clemens Meyer’s new collection of short stories Dark Satellites (translated from German by Kate Derbyshire), the lonely frequently enter into each other’s orbit. Their loneliness is intensified by every rotation they make of one another. These... Read more... |
Jeet Thayil: Low – grief’s seedy distractionsSunday, 19 January 2020
Like many writers, Jeet Thayil is a bit of an outsider. And, if his track record is anything to go by, he has been happy to keep it that way. The poet, novelist, editor, performer and former addict spent a couple of decades rubbing shoulders with... Read more... |
Sema Kaygusuz: Every Fire You Tend review – an education in griefSunday, 15 December 2019
In March 1937, the government of Mustafa Kemal Atatürk instigated what it called a “disciplinary campaign” against the Zaza-speaking Alevi Kurds in the Dersim region of eastern Turkey. What followed was a bloody, coordinated assault that resulted in... Read more... |
Elizabeth Strout: Olive, Again review - compassion, honesty and communitySunday, 01 December 2019
Elizabeth Strout is fond of plain titles. Much as her stories are interested in subtlety – the quiet complications and contradictions of ordinary life – her books advertise themselves by means of telling understatements. Olive, Again ... Read more... |
Ho Sok Fong: Lake Like A Mirror review - an intoxicating collectionSunday, 01 December 2019
“Truth was further from safety than two islands at opposite ends of the earth,” proclaims the narrator of ‘Lake Like A Mirror’, the titular short story in Ho Sok Fong’s intoxicating new collection. When a young Chinese Malaysian literature tutor... Read more... |
