mon 18/08/2025

festivals

Cambridge Folk Festival review - women rule the roost

Twinned with the legendary Newport Folk Festival, founded on Rhode Island in 1959 as a counterpart to the celebrated jazz festival, the Cambridge Folk Festival this year celebrated its 54th birthday under blue skies. The sun shone relentlessly...

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h 100 Awards: Music - an impressive range of quality

One of the banes of music culture is over-categorisation. It always has been. The statement that there are only two types of music, good and bad, has been apocryphally attributed to a wide range of figureheads – most especially Louis Armstrong – but...

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Edinburgh Festival 2018 reviews: Ulster American / Cold Blood

Ulster American ★★★★★ David Ireland’s brand new, brutally incendiary black comedy gleefully tosses a grenade into any lazy liberal sensibilities at the festival (and, let’s face it, there are plenty of those). Race, gender, rape, prejudice...

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WOMAD 2, Charlton Park review - rainbows and rumba

In the days around WOMAD there have been plenty of media about how the “hostile environment” towards migrants has created all sorts of problems for artists attempting to get here from around the world. Certainly, we are being denied some of the...

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theartsdesk at Camp Bestival 2018 - from Astley to apocalypse

Gusting. It’s not a word I’ve ever given much thought. You hear it on weather forecasts but I’m not a farmer of a fisherman so when they say it’ll be windy “with possible gusting speeds of up to 45 miles per hour” my brain doesn’t really register...

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theartsdesk in Riga - 43,290 Latvians sing and dance for their country

"They incessantly break down, destroy and fragment the mistrust that exists among people," wrote a Latvian journalist of a folklore group during the start of the Baltic countries' "singing revolution" against Soviet rule in 1988. This is the recent...

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theartsdesk at Cornbury: Pixie Lott, Amy MacDonald and Alanis Morissette

Cornbury Festival holds a very special place in my heart. When the babies were young, we realised that if we were going to be up all night without sleep we might as well be sat in a field listening to music rather than staring out of the window at a...

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Ariadne auf Naxos, Longborough Festival review - appetising energy and wit

Much as I love Strauss’s Ariadne in its final form, I have a sneaking nostalgia for the original version (attached to Hofmannsthal’s adaptation of Molière’s Le bourgeois gentilhomme), which had Zerbinetta and her companions popping up after the...

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Idomeneo, Buxton Festival review - revolution in the head

The audience at the Buxton International Festival has a way of cutting to the essence of a production. “They’ll have a job getting all that cutlery out of the sand” commented one of my neighbours after the end of Act One, where in Stephen...

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theartsdesk at the East Neuk Festival 2018 - Bach as bedrock

There is a tide in the best-planned festivals that comes in and out almost imperceptibly, bringing with it changes as the days move on. Put it down to the kind of perfect planning that discards any one rigid theme, and to forging long-term links...

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theartsdesk in Orkney: St Magnus Festival 2018 - choral music to the fore

With – unusually – no visiting orchestra at this year’s St Magnus International Festival in far-flung Orkney (the fall-out from delayed funding confirmations, we’re assured), there was a danger that the annual midsummer event might have felt a...

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diep~haven 2018 review - a missed connection?

The daily car ferry from Newhaven in Sussex to Dieppe in Normandy is an unlikely phenomenon. Neither port is very large; neither region very populous, and the journey sways you along for four contemplative hours. It enjoys the custom of truckers,...

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