sat 23/08/2025

electronica

Reinventing the Record: Strange New Formats of the Digital Age

While rumours of the album's demise may well have been premature, the digital age certainly does present increasing challenges when it comes to getting punters to keep and treasure music. Of course, really it all went wrong with the CD: those...

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CD: Kode9 & The Spaceape - Black Sun

Kode9 & The Spaceape's 'Black Sun': 'An endlessly listenable and quite timeless album'

There's something about this album that feels as if it's already existed for a long time. Full of post-apocalyptic images of smoke, dust, decay and weakness, and themes of struggling individuals and implacable political forces, it thematically fits...

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theartsdesk Q&A: Electronic Musicians Hype Williams

Inga Copeland and Dean Blunt aka Hype Williams

The music of Hype Williams is the definition of an acquired taste. It sounds ramshackle, thrown together, deliberately awkward – either deeply contrarian or the work of very, very messed-up people just playing around with archaic home recording...

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CD: Gorillaz - The Fall

Record Store Day this Saturday, 16 April, will give vinyl a small boost. Many artists are creating special limited editions. Bands love all that. It reminds them of when people cared about music as more than "content". The Fall was originally...

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CD: Metronomy - The English Riviera

Metronomy's 'The English Riviera': Hip yet enjoyable

For weeks there have been rumours that the new Metronomy release would be electronica that would appeal to people who don’t really listen to it. The last bit, at least, is true. I don’t listen to much of that genre and yet every time I get to the...

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Singles & Downloads 11

The Death Set ponder whether it's time for another dose of rampaging computer goof punk

This month, what's on offer in theartsdesk's Singles and Downloads veers towards the fresh and new rather than the tried and tested. We'll always chew over whatever's out there and right now these nine tunes speak loudest. Starting with carefree New...

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Out Hear: Exaudi play John Cage Song Books, Kings Place

At its best, and most preposterous, John Cage's work can be a mind-cleanser. The overwhelmingly silly randomised conjunctions and ontological punning of the great Zen master of the 20th-century avant-garde can coax and trick you into letting go of...

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CD: K-X-P - K-X-P

This is the most gorgeous Finnish Krautrock album I've heard in ages. Yeah, I know, how wacky, how alternative, how off-piste – but bear with me. If you associate Krautrock with over-serious record collectors it might sound like damning with faint...

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CD: King Creosote and Jon Hopkins - Diamond Mine

The name King Creosote conjures up an image of an old jazz player, lips cracked from cigarettes smoked and horns played. In actual fact it’s the stage name of Kenny Anderson, a prolific Scottish folk and indie singer with more than a passing...

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A Taste of Sónar, Roundhouse

Buraka Som Sistema demonstrate the universal language of... music

The Sónar festival occupies a very special place in the New Music calendar – and is this year expanding outwards temporally and geographically, with new franchises in Tokyo and A Coruña, Galicia. Now into its 17th year, the parent festival in...

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CD: The Human League - Credo

Listening to The Human League’s Credo is a bit like listening to one of Ray Davies’s more recent outings – you know they’ve both said all they have to say years ago, but there is still something very pleasing about just hearing...

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theartsdesk Q&A: DJ Annie Nightingale

Annie Nightingale: 'There’s nobody I know in my age group who remotely likes this kind of thing. I don’t understand why. I really don’t. I’m driven by it. It grabs me by the throat'

In 1970, Annie Nightingale became Radio 1’s first female DJ. The appointment was made somewhat grudgingly - DJs, believe it or not (and we’re talking about the likes of Ed “Stewpot” Stewart and Tony Blackburn here), were perceived to be “husband...

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