contemporary classical
theartsdesk Q&A: Composer James DillonSunday, 31 October 2010
Glaswegian James Dillon (b 1950) is one Britain's most critically acclaimed living composers. Early detours as a drunken and drug-taking wastrel gave way to what he calls "musical terrorism". By which he means his blistering career as one of the... Read more... |
Lachenmann Weekend, Southbank CentreMonday, 25 October 2010
Helmut Lachenmann is to instrumental technique what The Joy of Sex was to suburban nookie. A conduit to a whole new carnal world. Even those of us supposedly well versed in what a stringed instrument can do watched the Arditti Quartet perform the... Read more... |
Interview: Eric Whitacre, Virtual ChoirmasterTuesday, 19 October 2010
McDonald's (the hamburger people) are rarely acknowledged for their contributions to the arts, but without them we may never have witnessed the meteoric rise of composer Eric Whitacre. When he was 14, he heard a casting call on the radio for a... Read more... |
Michael Jarrell, Hoddinott Hall, CardiffWednesday, 13 October 2010
Music, Wagner famously pronounced, is the art of transition. For the Swiss composer Michael Jarrell, by contrast, music is “the art of punctuation”. On the one hand, how to get from one thing to the next; on the other hand, how to separate one thing... Read more... |
theartsdesk in Llantwit Major: Arvo Pärt in the Vale of GlamorganSunday, 12 September 2010
Amazingly, the Vale of Glamorgan Festival has been on the go for more than 40 years, and has got better and better as it has gone along. Until recently, any kind of mould-breaking musical enterprise was likely to collide with the entrenched... Read more... |
Bliss, Opera Australia, Edinburgh Festival TheatreMonday, 06 September 2010
Here we go again. Art takes on capitalism, round 4,598,756. The blissful life of Harry Joy, ad exec extraordinaire, beloved father of two, is (surprise, surprise) not quite what it seems. His wife is having an affair, his daughter is fellating his... Read more... |
The Lying Down Concert: Earthrise, Royal Opera HouseSunday, 05 September 2010
We should lie down to listen to music much more often. Gravity pulls away the thought and frown lines, smoothes the intellectual tracks and folds on the face, while you feel the blood in your head pumping lushly to dreamier parts of your brain.... Read more... |
Tilbury, BBC Scottish Symphony Orchestra, Volkov, Royal Albert HallSunday, 22 August 2010
A metallic shower rained down upon us as five percussionists of the BBC Scottish Symphony Orchestra's percussion sextet unleashed the meteoric potential of five huge metal thundersheets on our unsuspecting ears, and percussionist number six, a... Read more... |
The Duchess of Malfi, ENO, PunchdrunkWednesday, 14 July 2010
It's tough being a critic. There I was last night at Punchdrunk's first operatic foray, The Duchess of Malfi - put on in collaboration with the English National Opera - trying to make sense of a typically Punchdrunkian world that had been shattered... Read more... |
Pollini, London Symphony Orchestra, Eötvös, Barbican HallMonday, 21 June 2010
Helmut Lachenmann is a sort of George Bush of contemporary classical composition, a bogeyman, a warrior, an ideologue. In my time his name has always been served up with an exclamation mark - "you like Lachenmann!?" - partly because his... Read more... |
OperaShots, Royal OperaSaturday, 19 June 2010
Anyone hoping to take refuge from last night’s football fever in the solemn halls of the Royal Opera House would have scored something of an own goal. Heading the bill for OperaShots – a trio of new operas staged in the intimate Linbury Theatre –... Read more... |
Thomas Adès, London Symphony Orchestra, Barbican HallSunday, 06 June 2010
If the second half of the 20th century saw opera throttled by existential crises, and left composers wondering whether the only future for the art form was for it to be hung out to dry, or to become an arcane intellectualised annex for the musical... Read more... |
