contemporary classical
The Importance of Being Earnest, Barbican HallFriday, 27 April 2012
Gerald Barry's new operatic adaptation of Wilde's The Importance of Being Earnest delivers a number of firsts. The first opera score to contain an ostinato for smashed plates. The first orchestra to include a part for pistols and wellington boots.... Read more... |
Conlon Nancarrow Weekend, South Bank CentreWednesday, 25 April 2012
This has to be the only music festival I've ever been to where two vacuum cleaners were on standby in case the star performer conked out. But that's what happens when your star performer is a player piano - they seem to run on Hoover tubes. With 11... Read more... |
ENO's new 2012/13 season in fullTuesday, 24 April 2012The ENO's 2012/13 season includes premieres from Philip Glass (The Perfect American) and Michel van der Aa (Sunken Garden) and nine new productions from some of today's most iconoclastic stage directors. The Verdi bicentenary begins in the UK... Read more... |
20x12: Composers Go OlympicTuesday, 24 April 2012
Southbank Centre’s current season has included weekends devoted to three contemporary giants: Pierre Boulez, Conlon Nancarrow and George Benjamin. But it closes with a festival devoted to not to one contemporary composer but 20. The New Music... Read more... |
The Sinking of the Titanic, Gavin Bryars Ensemble, Philip Jeck, Barbican HallTuesday, 17 April 2012
I don't have many feelings about the Titanic (any more than I do about any tragedies of the distant past). I know few of the facts, I can remember nothing of the film and I have been left almost completely untouched by the centenary. Yet I am... Read more... |
Miss Fortune, Royal OperaTuesday, 13 March 2012
I find it hard to square what I know about composer Judith Weir with what happened last night. In one corner lies her 30-year output of songs, choral pieces and operas - as engaging and beguiling an oeuvre as that of any living composer's. I think... Read more... |
theartsdesk in Doha: Vangelis at Katara AmphitheatreSunday, 18 December 2011
If you need music for a ceremonial occasion, Greek composer Vangelis is your man. He has, after all, even had a small planet named after him, and in 2001, NASA used his piece Mythodea as the theme for its Mars Odyssey mission. The following year,... Read more... |
UnDance, Mark-Anthony Turnage/Wayne McGregor/Mark Wallinger, Sadler’s WellsFriday, 02 December 2011
It is unusual in art for collaborators to be of equal star-wattage. The pairing of Benjamin Britten and WH Auden was one such. Another, much longer-lasting, was Stravinsky and Balanchine, a partnership of equals that endured for nearly half a... Read more... |
Mouse on Mars, Oval, Stockhausen, BarbicanSaturday, 26 November 2011
Stockhausen’s Gesang der Jünglinge (Song of the Youths), composed in 1956, is, in many ways, the mother of all electronic music. I can remember discovering it in the 1960s, before I had acquired my first pair of Koss headphones, lying on the floor,... Read more... |
Manhattan Minimalism and Rock'n'RollSaturday, 26 November 2011
This weekend’s three-day Minimalism festival at Kings Place comes to an end tonight looking at the cross-over between rock and new music in New York in the Seventies. It seems to me that the collision between popular and high-art music produced some... Read more... |
Beethoven Cycle, Concert 1: Leipzig Gewandhaus, Chailly, Barbican HallTuesday, 25 October 2011
There are many ways of breathing new life into Beethoven. Carlos Kleiber used to do it through imagery. He once famously asked his Viennese double basses to play like monkeys during a rehearsal of Beethoven's Seventh. Riccardo Chailly's tactic for... Read more... |
Pierre Boulez Weekend, Southbank CentreMonday, 03 October 2011
William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming... Read more... |
