Barbican
Yang, BBCSO, Oramo, Barbican review - roots and refinementMonday, 17 April 2023
In today’s Britain, too many concert reviews have to begin with the vandalistic threats of damage or extinction that hang over their performers. Last week, it emerged that the BBC’s bosses may be open to negotiate an alternative future for its... Read more... |
Life is a Dream, Cheek by Jowl, Barbican Theatre review - savouring the Spanish of a singular masterpieceSaturday, 15 April 2023
Dream versus reality, fate and free will, love and death, nature versus nurture: they’re all here in Calderón de la Barca’ s ever-startling baroque panopticon, a play so precociously meta that every theatrical game from Pirandello onwards deserves... Read more... |
Bercken, Britten Sinfonia, Milton Court review - beleaguered ensemble shows its valueSaturday, 15 April 2023
In the kerfuffle over the proposed decimation of English National Opera, the BBC Singers and the BBC orchestras, the removal of all Arts Council England’s funding for the Britten Sinfonia has slipped a bit under the radar, but is no less egregious.... Read more... |
Drive Your Plow Over the Bones of the Dead, Complicité, Barbican review - murder in the forestFriday, 31 March 2023
Complicité, the adventurous theatre company led today by Simon McBurney, one of its founders, is now 40. Over the last four decades, McBurney and his collaborators have changed the face of theatre.Rooted in the training of Jacques Lecoq, along with... Read more... |
Theodora, Arcangelo, Cohen, Barbican review - gloriously dark and soberThursday, 30 March 2023
Handel’s Theodora – voluptuously beautiful, warm-to-the-touch music, yoked to a libretto of chilly piety about Christian martyrdom in 4th-century Rome. It’s a red rag to directors, and there’s a relief to seeing the oratorio in the concert hall,... Read more... |
Things to Come, LSO, Strobel, Barbican review - blissful visions of the futureMonday, 27 March 2023
Last night at the Barbican was my first experience of a film with live orchestra, which has become a big thing in the last few years. The film in question was Alexander Korda’s extraordinary HG Wells adaptation Things to Come, from 1936, imagining a... Read more... |
Nonclassical: The Greenhouse Effect, Barbican Conservatory review - enjoyable freestyle happeningMonday, 13 March 2023
It would seem unfitting to report on Nonclassical’s event – happening? – in the Barbican Conservatory on Sunday with anything resembling a conventional review. So instead I shall treat this free-form “experience” to a non-sequential response, in the... Read more... |
Benjamin, Jaya-Ratnam, Harper, Milton Court review - black musicians take centre stageWednesday, 22 February 2023
This recital was a welcome opportunity to hear songs by a panoply of black composers – many of them women – ranging from Amanda Aldridge (1866-1956) to Ella Jarman-Pinto (b.1989), performed with extrovert glee by Nadine Benjamin, accompanied by... Read more... |
LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroicsMonday, 13 February 2023
So it turns out there isn’t a problem with Richard Strauss’s Ein Heldenleben (A Hero’s Life), a stroppy mock-epic I thought couldn’t ever love again, when constantly singing phrases from Antonio Pappano and the LSO turn it into an hallucinogenic... Read more... |
Eliza Carthy and The Restitution, Barbican review - folk at its finestTuesday, 07 February 2023
Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians,... Read more... |
Jansen, LSO, Noseda, Barbican review - hearts of darknessFriday, 27 January 2023
There’s life in the old overture-concerto-symphony format yet – especially if the conductor not only shapes every phrase but takes care over the number of string players needed for each work, the soloist lives every bar of a concerto you thought you... Read more... |
Watts, BBCSO, Wigglesworth, Barbican review - clarity, control and focusSaturday, 21 January 2023
Ryan Wigglesworth is a man of many talents. He has recently been appointed Chief Conductor of the BBC Scottish Symphony, but he is also a versatile opera conductor, and an operatic sensibility is clear in the musical personality he projects.Last... Read more... |
