Barbican
London Symphony Orchestra, Adams, Barbican HallMonday, 08 March 2010
What would you imagine the composer John Adams might choose to conduct – apart, that is, from a little something he himself made earlier? Well, the first of two London Symphony Orchestra concerts this week brought no big surprises: Sibelius’ Sixth... Read more... |
BBC Symphony Orchestra, Marc Minkowski, BarbicanMonday, 08 March 2010
It always repays to push a world-class orchestra beyond their comfort zone. The BBC Symphony's sound emerged from the refashioning hands of period specialist Marc Minkowski like a naked body from a cold shower: convulsively invigorated and... Read more... |
Yo-Yo Ma and Emanuel Ax, Barbican HallTuesday, 02 March 2010
In every partnership there is a leader, and it’s not always the featured name. While the hall was packed with Ma followers for this rare cello-and-piano recital, what emerged was a richly sensitising foretaste of what the Emanuel Ax residency is... Read more... |
Philip Glass: Satyagraha, ENO/ LSO, Alsop, BarbicanThursday, 25 February 2010
It has always been a cornerstone of my personal philosophy that beauty and insight can be found in the very lowest of common denominators. That Big Brother, Friends, Love It magazine or Paris Hilton provide revelations about life that are of as much... Read more... |
Ron Arad: Restless, Barbican GalleryTuesday, 23 February 2010
Like Philippe Starck, whose Alessi tripod lemon squeezer is a bit like an evil-looking Louise Bourgeois spider, Ron Arad emerged in the Eighties as something of a “rock‘n’roll” designer. It’s a label that’s stuck, as has its sexy variant “post-punk... Read more... |
African Soul Rebels, Barbican HallSunday, 21 February 2010
Here’s a deceptively simple question. What is African music? Does a band make African music simply by dint of the fact they come from Africa? One of last night’s three African Soul Rebels acts was South Africa’s Kalahari Surfers. Ensconced behind a... Read more... |
BBCSO, Bĕlohlávek, Barbican HallSaturday, 20 February 2010
Nothing stays the same for long in the hypersensitive symphonies of Bohuslav Martinů. A pastoral idyll accelerates to fairground mania before dropping off the merry-go-round, rapture fades in a single bar and victory may be snatched out of the jaws... Read more... |
Interview: Director Peter BrookWednesday, 10 February 2010
Theatre director Peter Brook is back in London. Brightly, eloquently, he's promoting his new show, in English (most of his work since the 1970s has been in French), currently running at the Barbican: entitled Eleven and Twelve, it's a dense chamber... Read more... |
When a brass player says he's ill, he's ill...Tuesday, 09 February 2010Singers are always calling in sick. The merest puff of wind can blow a voice into A&E. The tiniest tickle in the throat can leave 2000 people jilted. They build instrumental musicians more robustly, especially brass players, so when David Pyatt... Read more... |
BBCSO, Mälkki, Barbican HallSunday, 31 January 2010
Fashionable concertgoers, if you'll forgive the oxymoron, may have missed the raciest heartbeat of a dizzying week. While Barenboim's Beethoven and Vänskä's Sibelius packed in the cognoscenti at the Royal Festival Hall, kids tagging along to the BBC... Read more... |
Elektra, Gergiev, LSO, Barbican HallThursday, 14 January 2010
Richard Strauss’s 1909 opera Elektra is a diabolical piece of work - less an opera than an event determined to cut its mark. A vast orchestra of 112 players unleashes a two-hour tsunami of sound across the stage, on which female voices are buffeted... Read more... |
Pied Piper, Barbican & Into the Hoods, QEHWednesday, 16 December 2009
Hip hop is the new ballet. Instead of mostly girls in tutus, mostly boys in tracksuits; instead of pointe-shoes, trainers; instead of arabesques and fouettés, handstands and windmills; above all, instead of nice, nasty. The smell on stage is burning... Read more... |
