Barbican
Between Worlds, ENO, BarbicanSunday, 12 April 2015
Composer Tansy Davies and librettist Nick Drake’s opera Between Worlds cannot help but be a devastating tribute to the tragedy of 9/11. Yet the whole is peppered with problems that mean this result is achieved only intermittently. Davies – whose... Read more... |
Total Immersion: Boulez at 90, BarbicanSunday, 22 March 2015
Pierre Boulez sits in the back of a car as it drives across Westminster Bridge. He is talking about the audience appeal of his music, and he is characteristically direct. If the performance is good, and the situation is right, he insists, then... Read more... |
Wang, LSO, Tilson Thomas, BarbicanFriday, 13 March 2015
Michael Tilson Thomas is in town to celebrate his 70th birthday. And he's with old friends – he’s been working with the London Symphony since 1970, including six years as principal conductor. There is still plenty of chemistry here, and the... Read more... |
Alice in Wonderland, BBCSO, Brönnimann, BarbicanMonday, 09 March 2015
The Southbank Centre’s Women of the World Festival may have been the largest cultural event marking International Women’s Day 2015, but it wasn’t the most ambitious. Over at the Barbican two women were responsible for a multimedia opera staging... Read more... |
Antigone, BarbicanFriday, 06 March 2015
Last year the London stage was treated to an electrifying Medea and an intelligent, refreshing Electra, at The National and the Old Vic respectively. Now it’s the turn of the Barbican to unleash the formidable force of Greek tragedy upon us,... Read more... |
Rattle for the LSO: great or just good news?Tuesday, 03 March 2015
Having manoeuvred to get a new concert hall for London earmarked in principle, Sir Simon Rattle has finally agreed, as we thought he would, to take charge of the London Symphony Orchestra in 2017. By then, he'll by 62 (though I thought the big... Read more... |
BBCSO, Segerstam, BarbicanMonday, 02 March 2015
The BBC Radio 3 announcer came on stage to introduce the concert and promised us "the 100 minutes" of Bruckner’s Eighth Symphony in the second half. Some of us smiled and assumed he (or his scriptwriter) had made a howler. Last time the Eighth was... Read more... |
Jazz for Labour, BarbicanSaturday, 28 February 2015
Jazz and politics go way back. Throughout its history the music has been involved with underground resistance movements in Nazi Germany and Communist Russia. It was inextricably entwined with civil rights campaigns in the United States and it played... Read more... |
Von Otter, BBCSO, Oramo, BarbicanThursday, 19 February 2015
Hair-raising guaranteed or your money back: that might have been a publicity gambit, had there been one, for Sakari Oramo’s latest journey with the BBC Symphony Orchestra around a Nielsen symphony. That he knows the ropes to scale the granite cliff... Read more... |
theartsdesk Q&A: Conductor Sakari OramoTuesday, 17 February 2015
Rattle and the Berliners went home at the beginning of the week with vine-leaves in their hair. There's now something else to celebrate. Exactly one week on from the second concert in their Sibelius cycle, the Barbican hosted even more of an all-out... Read more... |
Magnificent Obsessions, Barbican Art GalleryFriday, 13 February 2015
The title has it about right: no matter what it is they are busily acquiring, collectors seem to be an obsessive bunch, and their obsessions can achieve quite magnificent proportions. The stereotyped image of the collector as a socially challenged... Read more... |
Sibelius Cycle 3, Berliner Philharmoniker, Rattle, BarbicanFriday, 13 February 2015
The Seventh Symphony was by some way the most scrappy and inaccurate of the performances in the Sibelius cycle given at the Barbican by, it must be said again, the world’s best orchestra. The oboes crunched a chord that fairly made you wince. A few... Read more... |
