Barbican
Vengerov, Saitkoulov, Barbican HallThursday, 25 February 2016
In 2007 Maxim Vengerov had to withdraw completely from violin playing, and stayed away for four years. He had suffered the after effects of a weight-lifting injury to his shoulder, and needed surgery. But he also described at the time that he felt... Read more... |
Wayne Shorter and Wynton Marsalis with the Jazz at Lincoln Center Orchestra, BarbicanFriday, 19 February 2016
Wayne Shorter and the Jazz at Lincoln Center Orchestra – that sounds like a dream pairing. Shorter, now 82, is one of the true greats, a saxophonist and composer with an enchanting and unpredictable approach that makes him instantly recognisable. He... Read more... |
The Encounter, BarbicanWednesday, 17 February 2016
Actor and director Simon McBurney’s one-man Complicite show has arrived in London after gathering plaudits in Edinburgh and elsewhere last year – before setting off again on a nationwide and European tour. It’s the story of a much more adventurous... Read more... |
Zavalloni, Saeijs, Britten Sinfonia, Rundell, BarbicanWednesday, 10 February 2016
The music of Louis Andriessen is instantly recognisable but frustratingly difficult to define. The American Minimalists are a strong influence, but so too is Stravinsky, and through him, Bach. Those figures provide the context for Andriessen’s works... Read more... |
Fleming, BBCSO, Oramo, BarbicanSaturday, 06 February 2016
Renée Fleming recently announced her imminent retirement from the opera stage. But she has no plans to stop performing, and will instead devote her time to recitals and concerts. Yesterday’s excellent performance with the BBC Symphony Orchestra... Read more... |
The Return, Circa, BarbicanFriday, 29 January 2016
If you thought circus acrobats and Shostakovich were a daring combination, try circus acrobats and Monteverdi. While the spiky harmonies and vivd dynamics of 20th-century Russian string quartets sit pretty nicely with circus show-offery, surely... Read more... |
Roméo et Juliette, BBCSO, Davis, BarbicanSaturday, 23 January 2016
It was another Davis, the late Colin rather than the very alive Andrew, who used to be master of Berlioz's phenomenally inventive opera for orchestra with its novel explanatory prologue and epilogue. I like to think he'd have been looking down... Read more... |
Kavakos, Bullock, LSO, Rattle, BarbicanThursday, 14 January 2016
If the London Symphony Orchestra sounded simply magnificent in this programme of 20th century French music, it was their restraint that caught the ear rather than the demonstration of an orchestral engine at full throttle for which they are justly... Read more... |
Watkins, BBCSO, Bychkov, BarbicanWednesday, 13 January 2016
We don’t often hear Semyon Bychkov in the core Austro-German repertoire. That’s a great shame, because the qualities that make his Russian music performances so special are just as valuable here: the dynamism and immediacy, the supple but propulsive... Read more... |
Pelléas et Mélisande, LSO, Rattle, BarbicanSunday, 10 January 2016
Debussy’s Pelléas et Mélisande is a drama played out in shadow. Shine too bright, too unyielding a directorial light on it, and the delicate dramatic fabric – all unspokens and unspeakables – frays into air. Just over a year ago, director David... Read more... |
Opinion: The new London hall - 10 Questions we need to askWednesday, 06 January 2016
So the feasibility study for the new concert hall – The Centre for Music – has finally surfaced, a little later than planned. It’s being greeted, generally speaking, as if it’s to be the next London Olympics. “A global beacon,” declares the Evening... Read more... |
Murray, National Youth Orchestra of Great Britain, Collon, Leeds Town HallSunday, 03 January 2016
The National Youth Orchestra of Great Britain’s standard of playing is consistently impressive, so much so that it’s easy to forget that the ensemble is effectively reconstituted from scratch each autumn. Last night’s fresh incarnation, deftly... Read more... |
