Barbican
Les Arts Florissants, Christie, Agnew, Barbican review – splendid Baroque knees-upTuesday, 10 December 2019
“How many times have you heard the conductor sing?” asked William Christie after the final number, but before the two encores, of Sunday night’s 40th birthday celebration for his ensemble Les Arts Florissants. Well, lovers of old recordings know... Read more... |
Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and genialityMonday, 02 December 2019
There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second... Read more... |
Family Total Immersion: Lift Off!, BBC SO, Glassberg, Barbican review – 50th anniversary tribute to Apollo 11Monday, 02 December 2019
This family concert – “Total Immersion: Lift Off!” – was basically a small-scale rerun of this year’s CBeebies Prom, that one entitled “Off to the Moon”. The Prom had a space theme, to mark the 50th anniversary of the Apollo 11 moon landing, and... Read more... |
Iggy Pop, Barbican review - proto-punk legend goes jazz... sort ofFriday, 22 November 2019
A few years ago it would have been hard to envisage proto-punk maniac Iggy Pop being a star feature of the EFG London Jazz Festival. His last few albums, though, have been heavily flecked with jazz, and let’s not forget that as far back as The... Read more... |
Wang, Los Angeles Philharmonic, Dudamel, Barbican review - much more than glitz and glamourTuesday, 19 November 2019
The megastars are here at the Barbican, for an intensive three days in the case of the LA Phil and Gustavo Dudamel, throughout the season as the hall shines an "Artist Spotlight" on pianist Yuja Wang. Despite a shallow opener showcasing the... Read more... |
Measure for Measure, RSC, Barbican review - behind the timesTuesday, 19 November 2019
Because he dramatised power, Shakespeare never really goes out of fashion. Treatments of his plays do though, and the RSC’s Measure for Measure, a transfer from Stratford set in turn-of-the-century Vienna, feels distinctly slack. The backdrop is... Read more... |
Herbie Hancock, Barbican EFG London Jazz Festival review – the musical chameleon is still searching at 79Monday, 18 November 2019
When it comes to the true jazz legends capable of filling concert halls with faithful fans, whom jazz festival programmers can put on as headliners, the choice is dwindling. Herbie Hancock is one and he does; his Barbican concert is one of the big... Read more... |
Roméo et Juliette, LSO, Tilson Thomas, Barbican review - surprisingly sober take on Berlioz epicMonday, 11 November 2019
So much was fresh and exciting about Michael Tilson Thomas's years as the London Symphony Orchestra's Principal Conductor (1988-1995; I don't go as far back as his debut, the 50th anniversary of which is celebrated this season). Carved in the memory... Read more... |
The Taming of the Shrew, Barbican review - different but still problematicFriday, 08 November 2019
This is one play by Shakespeare ripe for tinkering. It's well nigh impossible now to take it at face value and still find romance and fun in the bullying: the physical and psychological abuse as a supposedly problematic wife is "tamed" into... Read more... |
Der Freischütz, Barbican review - Gothic chills rooted in flesh and earthTuesday, 05 November 2019
It’s hard to believe that in 1824 there were no fewer than six productions of Weber’s Der Freischütz in London alone. Since then this colourful piece of German Romanticism hasn’t fared nearly so well, disappearing from the UK’s opera houses not just... Read more... |
Andsnes, Oslo Philharmonic, Petrenko, Barbican review – polish and passionWednesday, 23 October 2019
The Oslo Philharmonic finished its centenary tour of Europe at the Barbican last night with ample proof that it consistently delivers one of the continent’s most well-rounded, and richly satisfying, orchestral sounds. The Norwegians’ modern history... Read more... |
London Symphony Orchestra and Chorus, Ono, Barbican review - feet on the ground, eyes to the skiesMonday, 21 October 2019
We have John Eliot Gardiner to thank for an unconventional diptych of Czech masterpieces in the London Symphony Orchestra's current season. He had to withdraw from last night's concert - he conducts Dvořák's Cello Concerto and Suk's "Asrael"... Read more... |
