sat 21/06/2025

architecture

theartsdesk at Chetham's: New Life for an Old School

Like a streamlined sandstone-coloured satellite berthed unexpectedly in Manchester’s medieval quarter, the new addition to the country’s largest specialist music school, Chetham’s (pronounced Cheetham’s), makes a confident statement for the future....

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theartsdesk in New York: Battling for the Heart of Ground Zero

Ever since we moved into an apartment building round the corner from Ground Zero a couple of years ago, I’ve been keeping an eye on One World Trade Center, formerly known as the Freedom Tower, soon to be America’s tallest building. Now it’s reached...

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Jonathan Meades on France, BBC Four

Jonathan Meades’s trawl through France began with the breezy theme tune from ‘Allo ‘Allo taking an unceremonious tumble from the turntable, signalling an instant war on cliché which continued with the promise of “no Piaf, no Dordogne, no ooh la la,...

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Building the Revolution: Soviet Art and Architecture, 1915-1935, Royal Academy

I’m not sure I’ve ever felt so ambivalent about a show, and so strongly both pro and con. The pros first, then. This is an astonishing, revelatory exhibition of avant-garde art and architecture in the Soviet Union in the brief but hectic period from...

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Colouring Light: Brian Clarke - An Artist Apart

My relationship with the artist Brian Clarke, the subject of my forthcoming film, goes back a long way: when I first filmed him for a documentary I made for BBC Two in 1993 - a film about windows as symbols and metaphors in the series The...

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theartsdesk in Brasilia: Music from the Melting Pot

I know nothing about Brazil, I have come to realise. A Sergio Mendes album here, a Gilles Peterson compilation there, a blurred memory of catching City of God on Film4 once – these do not add up to even the beginnings of insight into a country big...

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Postmodernism: Style and Subversion 1970-1990, V&A

It took a long time for architects to embrace popular culture. I attended a talk at the Architectural Association in the mid 1970s, when someone (probably the architect Robert Venturi) waxed lyrical about shiny American diners and hot-dog...

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theartsdesk in New York: A Rooftop Ramble in the High Line Park

'A dramatic statement, 25ft off the ground': High Line Park in Manhattan

The High Line Park on the far west side of Manhattan, built on an old elevated train track, is a unique combination of everything New Yorkers love - fabulous views, a piece of history, a traffic-free zone (no dogs, skateboards or bicycles), unusual...

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theartsdesk in Reykjavík: Fanfare for the Harpa Concert Hall

After three days' motoring and clambering around the most awesome natural landscapes I've ever seen, how could a mere concert hall in a city the size of Cambridge begin to compare? Well, it helped that the façades in which that great visionary...

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theartsdesk in Tbilisi: The Dilemma over Georgian Architecture

Old Tbilisi: Gudiashvili Square, the balcony of 'Lermontov's House'

In Tbilisi, Georgia, artists and art historians are calling for the Government to stop destroying their classic Old Town with its winding streets and wooden balconies. New organisations have been formed, exhibitions held to publicise this creeping...

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Ron Arad's Curtain Call, The Roundhouse

The round and the curtain are two of theatre’s oldest pieces of stagecraft. Yet architect and design legend Ron Arad has reinvented both in celebration of the Camden Roundhouse’s fifth birthday. The north London venue, which was transformed...

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The Code, BBC Two

Marcus du Sautoy explains the hidden secrets of The Code, Dan Brown style

Can Marcus du Sautoy do for maths what Brian Cox did for physics? Can he convince us of the beauty of numbers and help us fall in love with pi? It’s a tall order, but not only does Professor du Sautoy have an unstoppable passion for ratios, he’s...

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