tue 26/08/2025

19th century

Macbeth, Royal Opera

The staging smacks of Covent Garden's familiar Verdi-by-numbers - surprising since it's the often inventive Phyllida Lloyd's concept, revived by Harry Fehr, but it might as well be the inert pageantry of Elijah Moshinsky - while the necessary...

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Die Meistersinger von Nürnberg, Glyndebourne Festival Opera

Nuremberg's beloved Hans Sachs (Gerald Finley) addresses the midsummer crowds

So the world didn't end yesterday as predicted, and Wagner's divine comedy about the meaning of art has weathered the ironic apocalypse following Hitler’s misappropriation. Bayreuth reels, but we Brits are lucky to have two stagings in under a year...

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The School for Scandal, Barbican Theatre

Social graces: Alan Howard delights as the elderly cynic Sir Peter Teazle

"There’s no possibility of being witty without a little ill-nature,” preaches the Gospel according to Richard Brinsley Sheridan. What the playwright omits to mention, however, is that it is possible to be ill-natured without in fact being terribly...

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The Damnation of Faust, English National Opera

Anything goes in the wacky world of Berlioz’s Faust story. It’s a heaven and hell of a lot better than Gounod’s, but it isn’t an opera, it isn’t an oratorio and it certainly isn’t the gospel according to Goethe. So Terry Gilliam, ENO’s latest wild-...

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Welsh National Opera Orchestra, Koenigs, St David's Hall, Cardiff

Lothar Koenigs: A master at pacing as well as spacing

Popping up on royal wedding day from the Niebelheim where they spend most of their working life, the WNO Orchestra brought with them a birth-and-death programme: hatch and dispatch, rather than match. Wagner’s Siegfried Idyll was a thank-you present...

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Filthy Cities, BBC Two

Dan Snow: TV's enthusiastic filthmeister

Dan Snow's toxic trilogy climaxed in New York, where he crawled voyeuristically through the rotten core of the Big Apple. It was part Discovery Channel documentary, part Gangs of New York dirty realism, as Snow took a frankly indecent relish in...

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Meek's Cutoff

Kelly Reichardt’s quietly radical vision of the Wild West is a slender, provocatively ambiguous work and the antithesis to the genre’s muscular action-packed epics. It’s a western which aligns us with those who don bonnets rather than Stetsons, and...

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If Walls Could Talk: The History of the Home, BBC Four

Lucy Worsley: Engaging and jolly, and a tiny bit like Queenie in 'Blackadder'

I prefer "living room", but I have a friend who insists on "lounge". For some reason that probably goes deep into the psyche, I cringe at "sitting room". Same goes for "front room". As for "reception room", I’ve only ever seen that in the windows of...

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Brontë, Tricycle Theatre

“Too fat, too miserable, too pinched” for love and life, the Brontë sisters famously made a kingdom out of their dingy rectory home in rural Yorkshire. Denied not just a room but an existence of their own, these three Victorian spinsters found...

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The Crimson Petal and the White, BBC Two

Playing a prostitute on film has been big career business for some very famous actresses, not least Jane Fonda, Elizabeth Taylor and Julia Roberts, but it hasn't worked quite the same way on TV. Unless you count Secret Diary of a Call Girl. Or Moll...

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The Cult of Beauty: The Aesthetic Movement 1860-1900, V&A

'Boca Baciata': One of Dante Gabriel Rossetti's flame-haired beauties

A cult suggests unhealthy worship, and there’s more than a whiff of that in the heady decadence of the V&A’s latest art and design blockbuster, The Cult of Beauty. This is an exhibition which examines how the influence of a small clique of...

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Fidelio, Royal Opera House

I have no problem at all with updating Beethoven's early-19th-century paean to love and liberty: there are any number of tyrants and prisoners of conscience to whom its universal message could apply. But in this revival staged by Daniel Dooner,...

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