19th century
Don Carlo, Royal OperaSunday, 05 May 2013
An operatic truism still doing the rounds declares that for Verdi's Il trovatore you need four of the greatest singers in the world. For Don Carlo, his biggest opus in every way, you need six. Nicholas Hytner's Covent Garden staging hits the mark... Read more... |
La bohème, English National OperaTuesday, 30 April 2013
I’m not one to get misty-eyed over La bohème (unless it be a red mist of rage), but this second revival of Jonathan Miller’s production at English National Opera brought me closer than any yet to understanding the snuffling, lip-quivering reactions... Read more... |
Juan Diego Flórez and friends, Barbican HallMonday, 22 April 2013
It takes a certain kind of artist to book American mezzo-extraordinaire Joyce DiDonato as a supporting act. It’s a risk. Even if you happen to be Juan Diego Flórez. But it’s one that actually paid off on the first night of Flórez’s three-concert... Read more... |
Nabucco, Royal OperaTuesday, 16 April 2013
"Oh, wretched old man! You are but the shadow of the king”, sings Plácido Domingo’s Nebuchadnezzar about himself in Lear-like abjection before his Goneril-Reganish daughter (the flame-throwing Liudmyla Monastyrska). It’s only true of this brief... Read more... |
Ubu Roi, Cheek by Jowl, Barbican Silk Street TheatreSaturday, 13 April 2013
Or, The Lord and Lady Macbeth of the Seizième, as imagined by a bourgeois teenager who fancies himself to be Bougrelas, heir to the Polish throne. That's one way of looking at the concept so dazzlingly carried through by Declan Donnellan and Nick... Read more... |
Don Quixote, Mikhailovsky Ballet, London ColiseumSunday, 31 March 2013
If you want virtuosity, there’s only one place to be in London right now, and that’s watching the Mikhailovsky’s fine production of that demented old warhorse, Don Quixote, with Natalia Osipova and Ivan Vasiliev in the leads.Don Quixote is one... Read more... |
DVD: TessFriday, 22 March 2013
When Tess was released in 1979 much was made of the fact that Hardy’s western England had become Polanski’s northern France. Also, that he had cast a German actress in the title role with a wobbly Wessex burr. All these years on, Nastassja Kinksi’s... Read more... |
Die Feen, Chelsea Opera Group, Queen Elizabeth HallMonday, 18 March 2013
Like Prokofiev’s The Love for Three Oranges and Puccini’s Turandot, Wagner’s first opera – The Fairies in English – has its roots in a “theatrical fable” by the 18th century Venetian playwright Carlo Gozzi. There the resemblances end. Only Prokofiev... Read more... |
Mies Julie, Riverside StudiosTuesday, 12 March 2013
Snow flurries outside, steam heat within. Writer-director Yael Farber’s transposition of Strindberg from a 19th-century Swedish estate to a contemporary farm in South Africa’s Karoo region on the eve of a storm is so painstakingly evocative that all... Read more... |
George Catlin: American Indian Portraits, National Portrait GalleryThursday, 07 March 2013
Scores of reddish-bronze skinned men, and a few women and children, in full regalia, festooned in face paint, feathers, jewellery and decorations of all kind. They stare out at us, impassive and imperturbable, immortalised by George Catlin (1796-... Read more... |
Trelawny of the Wells, Donmar WarehouseWednesday, 27 February 2013
His recent film adaptation of Anna Karenina framed the action of Tolstoy’s novel in a theatre, so it seems only natural that director Joe Wright should follow it up with a return to the stage himself. Redolent with the smell of “gas and oranges”,... Read more... |
Ripper Street, Series Finale, BBC OneMonday, 25 February 2013
Last week we left Homer Jackson, the raffish ex-Pinkerton detective with the exceedingly chequered past, languishing in jail, after being fitted up for a Ripper-style killing by the murderous Frank Goodnight (played by cultish US actor Edoardo... Read more... |
