19th century
Gentleman Jack, BBC One review - the revolutionary life of Anne ListerMonday, 20 May 2019
In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new dramatisation of Lister’s life has been gestating in Sally Wainwright’s brain for 20 years, and finally arrives under the auspices of the BBC and HBO. Hugely... Read more... |
Tolkien review - biopic charms but never wowsThursday, 02 May 2019
Finnish director Dome Karukoski’s Tolkien follows the same formula of many literary biopics, with a tick-box plot of loves, friendships and hardships that forged the writing career of one the 20th Century’s greatest fantasy writers.We open at the... Read more... |
Aida, Opera North review - militarism soundly subvertedThursday, 02 May 2019
Opera North created something approaching a new art form when they performed Wagner’s Ring in "concert stagings", putting their large orchestra in full view, with singers symbolically dressed and given limited front-of-stage space, and a continuous... Read more... |
Edvard Munch: Love and Angst, British Museum review - compassion in the age of anxietyThursday, 11 April 2019
Munch’s The Scream is as piercing as it has ever been, and its silence does nothing to lessen its viscerally devastating effect. It was painted in 1893, but it was a lithograph produced two years later – now the star of the biggest UK exhibition of... Read more... |
Van Gogh and Britain, Tate Britain review - tenuous but still persuasiveWednesday, 27 March 2019
Soon after his death, Van Gogh’s reputation as a tragic genius was secured. Little has changed in the meantime, and he has continued to be understood as fatally unbalanced, ruled by instinct not intellect. Van Gogh’s characterisation of himself as a... Read more... |
La forza del destino, Royal Opera review - generous voices, dramatic voidsFriday, 22 March 2019
When "Maestro" Riccardo Muti left the Royal Opera's previous production of Verdi's fate-laden epic, disgusted by minor changes to fit the scenery on the Covent Garden stage, no-one was sorry when Antonio Pappano, the true master of the house then... Read more... |
Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heavenFriday, 15 March 2019
Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after... Read more... |
Berlioz Requiem, Spyres, Philharmonia Orchestra, Nelson, St Paul's Cathedral review - masses and voidsSaturday, 09 March 2019
Asked to choose five or ten minutes of favourite Berlioz on the 150th anniversary of his death (yesterday), surely few would select anything from his giant Requiem (Grande Messe des Morts). This is a work to shock and awe, not to be loved - music... Read more... |
Bernheim, Finley, LSO, Pappano, Barbican review - top Italians in second gearTuesday, 05 March 2019
Would Verdi and Puccini have composed more non-operatic music, had they thrived in a musical culture different to Italy's? Hard to say. What we do know is that they both became absolute masters of orchestration – Puccini rather quicker than Verdi,... Read more... |
Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - new work trumpets a sun journeyMonday, 25 February 2019
The BBC Philharmonic and its chief guest conductor John Storgårds introduced their Manchester audience to two new things – possibly three – in this concert. One was a world premiere, and you can’t get much newer than that. The other big item was a... Read more... |
DVD/Blu-ray: Dawson City - Frozen TimeThursday, 21 February 2019
Bill Morrison’s Dawson City: Frozen Time is an intoxicating cinematic collage-compilation that embraces social history – in microcosm, via its story of the titular Canadian mining town – as well as the history of film itself. But it goes further,... Read more... |
Elīna Garanča, Malcolm Martineau, Wigmore Hall review - towards transcendenceMonday, 18 February 2019
It seems an almost indecent luxury to have heard two top mezzos in just over a week with so much to express, backed up by the perfect technique and instrument with which to do so. Georgian Anita Rachvelishvili with Pappano and the Royal Opera... Read more... |
