1960s
A Change is Gonna Come, Brighton Festival review - lively, winning jazz adventureWednesday, 23 May 2018
Watching this band in action is a treat. They gel absolutely and play off one another in a manner that’s easy and mellow, yet also sparks by occasionally teetering on the edge of their virtuosic abilities. The songs played throughout the evening at... Read more... |
A Very English Scandal, BBC One review - making a drama out of a crisisMonday, 21 May 2018
There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion. But things have changed. He was excellent in Florence Foster Jenkins, hilariously self-parodic in... Read more... |
On Chesil Beach review - perfect playing in a poignant Ian McEwan adaptationSunday, 20 May 2018
Ian McEwan has said that he decided to adapt his 2007 novel On Chesil Beach for the screen himself at least partly because he did not want anyone else to do so (with earlier works, including Atonement, he was glad not to have taken on the adaptation... Read more... |
The Last Poets, Brighton Festival review - black power sets the night alightWednesday, 16 May 2018
The venom with which Abiodun Oyewole spits “America is a terrorist”, the key repeated line to “Rain of Terror”, has startling power. The piece is an unashamed diatribe against his nation. Beside him his partner Umar Bin Hassan rhythmically hisses... Read more... |
Michel Hazanavicius: 'Losing himself is how he found himself'Friday, 11 May 2018
French director Michel Hazanavicius made a name for himself with his OSS 117 spy spoofs, Nest of Spies (2006) and Lost in Rio (2009), set in the Fifties and Sixties respectively and starring Jean Dujardin as a somewhat idiotic... Read more... |
Jeff Beck: Still on the Run, BBC Four review - a legend without portfolioSaturday, 28 April 2018
As Aerosmith’s guitarist Joe Perry put it, “there’s a certain amount of fuck you-ness in everything Jeff does.” Perhaps it’s this which has allowed Jeff Beck to achieve the rare feat of surviving into his seventies as what you might describe as a... Read more... |
Martin Gayford: Modernists & Mavericks review - people, places and paintSunday, 22 April 2018
Back in the early Sixties Lucian Freud was living in Clarendon Crescent, a condemned row of houses in Paddington which were gradually being demolished around him. The neighbourhood was uncompromisingly working class and to his glee his neighbours... Read more... |
Roy Orbison In Dreams Hologram, Eventim Apollo review - it's a gig, Jim, but not as we know itFriday, 20 April 2018
On Wednesday night, the music world took a small step closer to the realms of science fiction. Roy Orbison, 30 years dead, stood in front of a packed Hammersmith Apollo. It wasn't a resurrection, of course, but a hologram, and a damn fine one.... Read more... |
Richard Vinen: The Long ’68 review - more impartial than impassionedSunday, 08 April 2018
Born into the late 1950s, I was too young to be a 68er, though I remember watching it all on TV: the protests in Red Lion Square and Grosvenor Square, where Tariq Ali and Vanessa Redgrave were the leading lights, demonstrating against Vietnam; Paris... Read more... |
Reissue CDs Weekly: SpiritSunday, 25 March 2018
The press ad for Spirit’s debut album wasn’t shy. “Five came together for a purpose: to blow the sum of man’s musical experience apart and bring it together in more universal forms. They became a single musical being: Spirit. It happens in the first... Read more... |
My Generation review - Michael Caine presents the SixtiesMonday, 12 March 2018
David Bailey taught Nureyev to dance at the Ad Lib club in London in the Sixties. “He was very stiff. He could do all that Swan Lake stuff but he couldn’t do the twist,” remembers Bailey in one of My Generation’s voiceover interviews, some vintage,... Read more... |
Returning to Haifa, Finborough Theatre review - a bumpy journey into the Arab-Israeli pastFriday, 09 March 2018
This year the state of Israel marks its 70th birthday. Which means it will also be the year Palestinians remember the Nakba, the catastrophe, the mass dispossession. With that in mind, the Public Theater in New York commissioned this adaptation of a... Read more... |
