fri 15/08/2025

1950s

The Pilgrim’s Progress, RNCM, Manchester review – a theatrical triumph

The Royal Northern College of Music’s spring opera is a theatrical triumph and musically very, very good. It’s 27 years since they last presented what Vaughan Williams called his "morality" – that was a triumph too, and they made a CD of it which I...

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The Crucible, The Yard Theatre review - wilfully over-stirred

The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe for manipulation. Never more appropriate than now, you might think – and in a year in which the work of Arthur Miller...

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DVD/Blu-Ray: La Vérité

For admirers of Henri-Georges Clouzot or Brigitte Bardot, this Criterion restoration of their rarely seen 1960 collaboration is a must have. La Vérité may not be Clouzot’s greatest film, the pace is a little slow and for British viewers...

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The Rubenstein Kiss, Southwark Playhouse review - slick spy drama doesn't quite come together

It's an ideal time to revive James Phillips's debut The Rubenstein Kiss. Since it won the John Whiting Award for new writing in 2005 its story, of ideological differences tearing a family apart, has only become more relevant. Joe Harmston directs a...

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DVD/Blu-ray: Human Desire

In an interview with Fritz Lang towards the end of his life, he dismisses Human Desire as a film he was contractually obliged to make and for which he had no great fondness. Certainly it isn’t his masterpiece, but it’s a lot more...

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Pinter Seven, Harold Pinter Theatre review - elaborations of anxiety

It was back to the very beginning for this final instalment of “Pinter at the Pinter”, with its pairing of A Slight Ache and The Dumb Waiter. Both were written at the end of the 1950s, which explained a certain rock’n’roll vibe in the auditorium,...

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Home, I'm Darling, Duke of York's Theatre review - Katherine Parkinson rules the roost

The Fifties? They were terrible: bone-cold houses where people huddled round the fireplace for heat, empty Sundays that lasted a month, drawn-out rationing, bread you could build houses with. It was all making do and mending and "grey meat, grey...

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Hough, Hallé, Elder, Bridgewater Hall, Manchester review - film music flows

No one worried about melting icecaps and homeless penguins when Vaughan Williams wrote his score for the film Scott of the Antarctic around 70 years ago. (They do now, as a new music theatre piece by Laura Bowler to be premiered by Manchester...

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Magda Szabó: Katalin Street review - love after life

This is a love story and a ghost story. The year is 1934 and the Held family have moved from the countryside to an elegant house on Katalin Street in Budapest. Their new neighbours are the Major (with whom Mr Held fought in the Great War) and his...

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Stan and Ollie review - a worthy double act

Stan & Ollie unfolds mostly during Stan Laurel and Oliver Hardy’s 1953 British concert tour, when the boys were on their last legs as a comedy act – Hardy was physically spent – but still showing flashes of their old genius. The lure of the tour...

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The Sound of Movie Musicals with Neil Brand, BBC Four review - genius of song and dance

The movie musical: money making or true art – or both? This was a programme to sing along to, in the company of Judy Garland and Gene Kelly, Elvis Presley and Cliff Richard. In this second instalment of Neil Brand’s brilliant three-part history, he...

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DVD/Blu-ray: Invention for Destruction

Karel Zeman’s Invention for Destruction (Vynález zkázy) was, for many years, his best-known film in the West, dubbed into English three years after its 1958 premiere as The Fabulous World of Jules Verne by an enterprising Hollywood producer. Both...

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