17th century
The restoration of Nell GwynnTuesday, 22 September 2015
I never thought I’d be a writer. Writers are people with something to say, big ideas, agendas. I was a director, through and through. I love working with actors, playing with music and text, thinking in three dimensions. The solitary confinement of... Read more... |
The King Who Invented Ballet, BBC FourMonday, 14 September 2015
Someone more unlike Louis XIV than David Bintley is hard to imagine. The latter comes across on TV as the most pleasant, unthreatening, mild-mannered of Everymen; unthinkable that he would order the massacre of Protestants or proclaim, “l’État, c’... Read more... |
The Heresy of Love, Shakespeare's GlobeThursday, 06 August 2015
Helen Edmundson’s The Heresy of Love may be set in 17th century Mexico and follow the conflict between strict religion and personal development, but its theme of a woman denied her voice by a surrounding male hierarchy retains real contemporary... Read more... |
Phantasm, Elizabeth Kenny, Wigmore HallWednesday, 10 June 2015
There’s an intimacy, an interiority, to music for viol consort that even the string quartet can’t match. The physical placement of the three members of Phantasm who opened this concert of music by Gibbons, Purcell, Locke and Lawes was telling.... Read more... |
As You Like It, Shakespeare's GlobeThursday, 21 May 2015
The Forest of Arden takes many forms, but in Blanche McIntyre’s meticulously purist production, it’s strictly a state of mind – no leafy bowers in sight. Here, the unspoken can be voiced, the bounds of gender and class broken, and courtly... Read more... |
Cornelius Johnson, National Portrait GallerySaturday, 02 May 2015
It’s far too easy to think about the history of art as a series of class acts, with one superlative achievement following another. Exhibitions tend to encourage this view, and the notion of a superstar artist is key to persuading us that the latest... Read more... |
Light Shining in Buckinghamshire, National TheatreFriday, 24 April 2015
The trouble with the general election is that while everybody talks about money, nobody talks about ideas. We know the price of everything, but the value of nothing. This might seem to be a triumphant demonstration of the essential pragmatism of the... Read more... |
St Matthew Passion, Anton Bruckner Choir, St John's Smith SquareSunday, 29 March 2015
After a Messiah last Christmas by one of London’s finest professional chamber choirs that was straight off the factory production line – mindlessly and maddeningly correct, just, I suspect, as it had been the five other times they performed it that... Read more... |
The Broken Heart, Sam Wanamaker PlayhouseThursday, 19 March 2015
Jacobean playwright John Ford is flavour of the season at the Sam Wanamaker Playhouse. His better-known, and simply better, ‘Tis Pity She’s a Whore, opened the venue’s new programme last autumn and is followed now by that work’s younger sibling, The... Read more... |
The Indian Queen, English National OperaFriday, 27 February 2015
When Purcell died at just 36, he left The Indian Queen unfinished, which only adds to the usual problems of staging his "semi-operas" – plays with musical interludes which don’t really accord with modern operatic tastes, despite the ravishing beauty... Read more... |
Rubens and His Legacy, Royal AcademySunday, 25 January 2015
What does it mean to be a great artist? Is it enough for your work to be admired, studied, emulated and quoted by contemporaries and subsequent generations, or is the value of art judged by a more complex set of criteria? By considering the extent... Read more... |
The Changeling, Sam Wanamaker PlayhouseWednesday, 21 January 2015
Ever been stuck in a claustrophobic space with a group of really unpleasant people? Add mayhem, murder and the kind of razor-sharp wit to be found in only a very few of the nastiest individuals, and you have Dominic Dromgoole’s candlelit production... Read more... |
