mon 11/08/2025

Theatre Reviews

La Cage Aux Folles, Regent's Park Open Air Theatre review - 40 years on, the drag show still entertains and educates

Gary Naylor

Forty years ago, the world was very different for gay men. AIDS was devastating their communities, especially in the big cities where hard-won enclaves of acceptance were being hollowed out, one sunken-eyed friend after another. Media screamed “Gay Plague” and some politicians barely suppressed their glee at the “perverts’” comeuppance.

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Edinburgh Fringe 2023 reviews: The Grand Old Opera House Hotel / YOU ARE GOING TO DIE

David Kettle

The Grand Old Opera House Hotel, Traverse Theatre 

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Edinburgh Fringe 2023 reviews: Tennessee, Rose / The Ballad of Truman Capote

Veronica Lee

Tennessee, Rose, Pleasance Dome 

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Edinburgh Fringe 2023 reviews: Adults / Bacon

David Kettle

Adults, Traverse Theatre 

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Edinburgh Fringe 2023 reviews: Flat & the Curves / Shamilton! / I Wish My Life Were Like a Musical

Veronica Lee

Flat & the Curves, Pleasance Dome 

Flat & the Curves – Katy Baker, Charlotte Brooke, Issy Wroe Wright and Arabella Rodrigo – perform a gig-style musical comedy show with risqué material about what it means to be a modern woman. And there's a generous side helping about the inadequacy of men, too.

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The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focus

Gary Naylor

There are many things that you are not told about being a parent, a vast landscape of details that batter you with unwelcome difference from that comfortable life of Friday night prosecco and pizza. One is a whole new palette of garish colours barging into your eyeline – fluorescent yellow, eye-bleeding orange, vomity green.

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Edinburgh Fringe 2023 reviews: Casting the Runes / The Return / Woodhill

David Kettle

Casting the Runes, Pleasance Courtyard 

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Trojan Women / Thrown, Edinburgh International Festival 2023 reviews - passionate all-women productions

David Kettle

Trojan Women, Festival Theatre 

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Macbeth, Shakespeare's Globe review - uneven production of intermittent power

Gary Naylor

That Shakespeare speaks to his audiences anew with every production is a cliché, but, like so many such, the glib blandness of the assertion conceals an insistent truth. The Thane of Glamis has had some success in life, gains preferment from those who really should have seen through his shallowness and vaulting ambition – he even says the phrase himself – and achieves power without really knowing what to do with it.

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Edinburgh Fringe 2023 reviews: Groomed / Let the Bodies Pile

Veronica Lee

Groomed Pleasance Dome

“How can a truth be told? How can a secret be spoken?” Patrick Sandford asks in Groomed, his searingly honest account of his experience of abuse by a teacher at primary school several decade ago. Over 50 minutes he recounts his tale, weaving in other stories to illuminate his own.

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Pages

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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