fri 15/08/2025

TV

Intergalactic, Sky One review - lovely CGI, shame about the drama

Welcome to Commonworld, in the year 2143. It’s been built above the ruins of the old world, and the opening sequence of Sky One’s new interstellar thriller showed us the crumbling remains of Tower Bridge and St Paul’s Cathedral mouldering beneath...

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Viewpoint, ITV review - the perils of the peeping tom police

Alfred Hitchcock’s 1954 thriller Rear Window has spawned its fair share of copycats, including Disturbia and Brian de Palma’s Femme Fatale. For ITV’s new five-night mystery Viewpoint, screenwriter Ed Whitmore (Silent Witness, Manhunt etc) puts...

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Line of Duty, Series 6, Episode 6, BBC One review - the pace accelerates for AC-12's final countdown

As the finishing line begins to materialise through the haze of fear, suspicion and zany acronyms, the pace of this sixth series of Line of Duty (BBC One) has hotted up appreciably. In earlier episodes, there sometimes seemed to be a lack of...

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The Winter's Tale, RSC, BBC Four review - post-war poise colours a solid production

It has been a hard coming for this RSC Winter’s Tale. Erica Whyman’s production was cancelled by the virus days before its premiere last spring, with plans to stage it in the autumn frustrated by the second lockdown. This broadcast version,...

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Mare of Easttown, Sky Atlantic review - Kate Winslet shines in finely-drawn Pennsylvania mystery

Read our review of the season finale hereDark family dramas set in unglamorous, unprosperous communities in the north-east of the USA have become a genre unto themselves. One thinks here of the work of writers such as Kenneth Lonergan (Manchester by...

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Helen McCrory: 'If there's one interesting thing about acting it's trying to lose your ego'

Each generation is given an actress who can do everything – be intimate with the camera but also coat a back wall in honey from 100 paces. There was Judi Dench, and then there was Imelda Staunton, both loved by all. Helen McCrory – who has died...

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Bent Coppers: Crossing the Line of Duty, BBC Two review - when crime paid handsomely for corrupt officers

As Line of Duty aficionados debate the identity of H and wonder who DCI Joanne Davidson shares her DNA with, this new three-part series from BBC Two investigates the history of real-life corruption in the Metropolitan Police. Whereas the corrupt...

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Too Close, ITV review - capable cast struggles with unrewarding material

What may have happened here is that an intriguing book has been turned into a not so great TV series. Too Close was Natalie Daniels’s well-received first novel, and she has adapted it for this ITV three-parter under her real name of Clara Salaman....

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This is a Robbery: The World's Biggest Art Heist, Netflix - the last word (for now)

It’s no surprise that 30 years on, the individuals most closely connected to the world’s biggest art heist are showing their age. Anne Hawley was a young woman just months into her directorship of the Isabella Stewart Gardner Museum in Boston when...

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Intruder, Channel 5 review - implausible but watchable

Channel 5 is rather partial to its four-night dramas, though recent effort The Drowning seemed to have sneaked unseen past the quality control department on its way to the screen. It pulled in the viewers though, and Intruder will probably do the...

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Queen Elizabeth and the Spy in the Palace, Channel 4 review - how the Fourth Man burrowed deep into the British Establishment

Director of the Courtauld Institute, Surveyor of the Queen’s Pictures and a particular expert on the art of Poussin, Sir Anthony Blunt spent decades at the epicentre of the royal family and the British Establishment. He was, as the so-called “Fourth...

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Messiah highlights, English National Opera, BBC Two review – short-cut sorrow and redemption

Well, it wasn’t quite Messiah, but it was a source of joy. In ENO’s end-of-lockdown staging, BBC Two’s transmission of Handel’s resurrection song delivered a scant 54 minutes of music from the Coliseum on Easter Saturday. In contrast, two ancient...

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