sun 24/08/2025

Dance

Solo for Two, Osipova/Vasiliev, London Coliseum

Mounting a contemporary dance show together doesn’t seem like the best way to get over your ex, even if you are (or rather, were) ballet’s most fabulously marketable couple. But whatever their real-life relationship, audiences will always be keen –...

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Swan Lake, Mariinsky Ballet, Royal Opera House

For a dance company, the always delicate balance between preserving your heritage and creating an exciting future becomes especially hard to negotiate when you are the most venerable institution in your field. The Mariinsky Ballet, now on tour in...

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Fallen/Serpent, BalletBoyz, Roundhouse

School’s out for summer, even Parliament is on recess, and the streets around my house are suddenly devoid of children, as families make for the hills (or at least the beach). It should be dead season for all but prommers (and the suffering...

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PUSH, Guillem/Maliphant, London Coliseum

Last night’s performance of PUSH at the London Colisem left me exhilarated and downcast in equal measure. Exhilarated because dancer Sylvie Guillem, dancer/choreographer Russell Maliphant and lighting genius Michael Hulls together create the Holy...

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Romeo and Juliet, Mariinsky Ballet, Royal Opera House

One of the reasons I always tell ballet sceptics to give Romeo and Juliet a go is that any production with halfway decent lovers and a vaguely competent rendition of Prokofiev’s score should convince them that this art form isn’t just about swans...

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Restless Creature, Wendy Whelan, Linbury Studio Theatre

If you’ve reached the top of your profession and then spent twenty years there, retiring is going to be hard. It will be many times harder if, like New York City Ballet principal Wendy Whelan, you were only twenty-four when you reached that rank,...

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Coppélia, English National Ballet, London Coliseum

For all it’s a balmy July here, the litany of appalling news from the world’s conflict zones will have left many of us feeling less than summery at heart. In that frame of mind, you might wonder whether Coppélia, English National Ballet’s latest...

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theartsdesk in Paris: San Francisco Ballet 2

Having a strong company style is usually no bad thing, especially if – as with San Francisco Ballet – the main component of it is a commitment to excellence. It has been impressive watching the gritty energy with which, night after night, the...

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Opinion: Too Strictly? Battle in the ballroom

Ballroom dancing, that most civilised of pastimes, may seem an unlikely target for controversy, but a proposed rule change by the British Dance Council (BDC) has thrust our nation’s waltzers into a heated debate. This weekend, the BDC will discuss...

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theartsdesk in Paris: San Francisco Ballet 1

In 2005, San Francisco Ballet were the first company to visit Paris as part of a new summer dance festival, Les Étés de la Danse. Helped not only by this auspicious start, but by the obvious demand for live dance in a month traditionally barren for...

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La Bayadère, Mariinsky Ballet, Live Cinema Broadcast

La Bayadère is one of the ballets I recommend to people who have never seen ballet before. It has high drama, exquisite tragedy, fabulous costumes, one of the best "white" acts going, and it almost passes the Bechdel test. Sitting in a mostly empty...

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Royal Ballet School Matinée, Royal Opera House

This is the heart-wrenching time of year when dance school students give their graduation performances and professional dancers bow out at the end of their careers. How poignant to watch Paris Opéra Ballet étoile Nicolas Le Riche, alone on the vast...

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