Dance
Suzanne Farrell and George Balanchine: A passionate love letter re-openedSaturday, 22 July 2006
"It was more than just 'I love you'," Suzanne Farrell, America's nonpareil ballerina, the love and inspiration of 20th-century ballet's greatest choreographer, is telling me at breakfast in a little bar in Lee, Massachusetts. "When people ask me to... Read more... |
Ulyana Lopatkina: The beanpole who became the soul of RussiaSaturday, 09 July 2005
If you tell a tall, whisper-slim young woman of 31 that she has been described as "the soul of Russia", it is understandable that she looks startled. Two huge, smoke-grey eyes cast a doubtful glance at me, and she murmurs in Russian. Her translator... Read more... |
Antonio Gades, Flamenco MasterThursday, 22 July 2004
Antonio Gades, who died on 20 July 2004 in Madrid aged 67, was a giant of modern flamenco, a magnetic dancer and theatrical director who gained an international audience for flamenco while guarding its unique and complex character. His dance films... Read more... |
Derevo: Absolute clownsTuesday, 16 January 2001
Clowns are supposed to be chubby, grinning, funny, with anarchic hair and big red noses, like Coco. Or they are Chaplin-types, oppressed little city folk mutely combating the vast machines of the working life. They are not generally shaven-headed... Read more... |
In the realm of the Nutcracker kingMonday, 18 December 2000
At this time of year people who love ballet divide into two tribes: those who are too sophisticated for The Nutcracker and those who will never been too sophisticated for The Nutcracker. The former will say that The Nutcracker is a children’s ballet... Read more... |
The battle for BalanchineSaturday, 22 July 2000
THE choreographer George Balanchine died on April 30, 1983, aged 79, of Creutzfeldt-Jacob disease, a rare, if nowadays notorious, condition only discovered at his autopsy. What had been recognised long before his death, though, was that this man was... Read more... |
Last Dance: Why Our Best Ballets Are Slowly DyingTuesday, 20 July 1999
Sir Frederick Ashton, Britain's unrivalled genius at creating ballets, had a simple attitude towards posterity. "You've heard his famous remark, 'Fuck posterity'?" says his nephew, Anthony Russell-Roberts, smiling but eyeing me apprehensively.Ashton... Read more... |
Zizi Jeanmaire: Not Giselle but CarmenMonday, 21 September 1998
SHE was the most chic Sixties doll that ever walked the streets, and all Britain enumerated her qualities when Peter Sarstedt's haunting pop-song hit the charts in 1969. "You talk like Marlene Dietrich, And you dance like Zizi Jeanmaire. Your... Read more... |
The man who said too muchSaturday, 22 August 1998Wayne Eagling was famous for many things in his 25-year career at the Royal Ballet - not least for his rich girlfriends. There was Isabel Goldsmith, daughter of the late Sir James; there was Francesca Thyssen, with whom he lived for five years. "Who... Read more... |
Manon: Shock that turned to respectSaturday, 04 July 1998
One of the first, scathing reviews of Kenneth MacMillan's ballet Manon in 1974 nailed it exactly: "It is an appalling waste of lovely Antoinette Sibley who, as Manon, is reduced to a nasty little diamond-digger." In that sentence all the prevailing... Read more... |
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