Comedy
'We are bowled over!' Thank you for your messages of love and supportFriday, 14 November 2025
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts lovers and professionals alike – but the response to our appeal to help us relaunch and reboot has been something... Read more... |
Kieran Hodgson, Soho Theatre review - a love affair soured by TrumpMonday, 23 June 2025
Kieran Hodgson is known to television viewers from Two Doors Down and to online fans for his spoofs of TV dramas; but comedy fans know him best for his high-concept stand-up shows, which draw heavily on his personal life.And so Voice of America, his... Read more... |
Sarah Silverman, Netflix Special review - finding the funny in losing a parentTuesday, 17 June 2025
Death can be a powerful driver for comedy, as countless stand-ups and sitcom writers will affirm, but it has to be sensitively handled. Dark humour can be, forgive the pun, life-affirming, and an excuse for the tears, whether of pain or pleasure, to... Read more... |
Dara Ó Briain, Soho Theatre Walthamstow review - master storyteller spins a family yarnMonday, 26 May 2025
Dara Ó Briain’s has described his previous show So… Where Were We? – in which he describes his search for his birth mother who gave him up for adoption when he was a baby – as his Philomena, while his latest, Re: Creation, is his version... Read more... |
Mr Swallow: Show Pony, Richmond Theatre review - magic tricks and mayhemTuesday, 20 May 2025
Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative talent – more than a decade ago, but he reached a new audience with his appearance as the good guy-goes-bad-then-good-... Read more... |
Zoe Lyons, Touring - midlife, without the crisisTuesday, 13 May 2025
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and lows along the way, and she delivers stories about her life that reflect theirs too. And so it proves with her... Read more... |
Greg Davies, Brighton Dome review - chocolate bars and errant bumholesTuesday, 22 April 2025
Greg Davies doesn’t spare himself in his new show, Full Fat Legend, his first tour in seven years after having been busy being mean to celebrities on Taskmaster on Channel 4, and showing his acting chops on the BBC’s dark comedy The Cleaner, among... Read more... |
Marcus Brigstocke, Touring review - modern manhood laid bareWednesday, 09 April 2025
The title of Marcus Brigstocke’s latest show, Vitruvian Mango, is, like the man himself, rather clever. He appears on stage with a mocked-up version the Da Vinci drawing it references with his naked body replacing the artist’s model to illustrate... Read more... |
Matt Forde, Touring review - politics, poo and ViagraSaturday, 08 March 2025
Matt Forde gives a warning: “Don’t heckle the disabled – that’s a hate crime.” What an opener for his latest touring show, The End of an Era, which I saw at the Oxford Glee Club. To explain: in 2023 the back pain that Forde thought was sciatica... Read more... |
Help to give theartsdesk a future!Saturday, 01 March 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic team of arts and culture writers went ahead with an ambitious plan – to... Read more... |
Harry Hill, Wilton's Music Hall review - madcap comic on terrific formMonday, 24 February 2025
Harry Hill reminds us at one point during his latest touring show that he’s 60, but there’s no let-up in the energy he brings to New Bits and Greatest Hits, a pleasing mixture of old and new material showing he still packs a punch on stage.... Read more... |
Nina Conti: Whose Face Is It Anyway?, Brighton Dome review - a melee of jubilant spontaneityMonday, 10 February 2025
“I really am the repository for all your shit,” Nina Conti’s famous Monkey hand puppet tells her. Monkey may have a point.The brilliance of Conti’s ventriloquism is that it seems to burst, unedited, from her id. Filth, surrealism and lightning-fast... Read more... |
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