Classical music
Notes on a no-show - Nico MuhlyTuesday, 24 March 2020
The following is adapted from a programme note for a show which was to have premiered last Thursday – the very day Sadler's Wells went dark. Nico Muhly – Drawn Lines was part of an occasional series featuring composers who are making an impact... Read more... |
'Pause. Notice. Breathe': Elena Urioste on self-love in a time of coronavirusSaturday, 21 March 2020
In my second year as a violin student at the Curtis Institute, my right arm started going numb from my elbow to my fingertips on a fairly regular basis. It was rather like how your limbs feel right before they fall asleep: not full-on pins and... Read more... |
Classical CDs Weekly: Grieg, Sibelius, PapagenaSaturday, 21 March 2020
Grieg: To the Spring – Violin Sonatas 1-3 Elena Urioste (violin), Tom Poster (piano) (Orchid Classics)Grieg is a one-work composer, mostly: there's one symphony, one piano concerto and single piano sonata. There are three violin sonatas,... Read more... |
Classical music/Opera direct to home: 2 - Boris Giltburg and Igor LevitFriday, 20 March 2020
Maybe it's not so surprising that the musicians one has long thought of as true Menschen of the profession - that applies to both sexes, of course, and maybe it's just more about the artists in question being natural communicators - have been among... Read more... |
Classical music/Opera direct to home: 1 - Budapest's Quarantine SoiréesWednesday, 18 March 2020
The great Chilean pianist Claudio Arrau noted of 1920s Berlin that "itimes of trouble, people seek a better life in culture". But what if that culture can no longer be accessed live? Earlier this week theartsdesk brought you reports of two... Read more... |
Beethoven: 1808 Reconstructed, Aimard, Philharmonia, Salonen, RFH review - a feast in fading lightTuesday, 17 March 2020
Like it or not, we live – as Beethoven did – in interesting times. In place of the revolutions, wars and occupations that convulsed the cities he knew, we now confront a silent, invisible foe that breeds an equal terror. Hence the empty seats in the... Read more... |
Frang, LSO, Pappano, Barbican review - hearing the silenceMonday, 16 March 2020
Three deep-veined masterpieces by two of the 20th century's greatest composers who just happened to be British, all fading at the end to nothing: beyond interpretations of such stunning focus as those offered by violinist Vilde Frang, conductor... Read more... |
Skelton, Rice, BBCSO, Gardner, Barbican review – romanticism’s last standSaturday, 14 March 2020
Only a modest audience turned up for this BBC Symphony Orchestra concert, though it was unclear if this was caused by the threat of airborne disease or the inclusion of Schoenberg on the programme. The result was a paradoxical intimacy, with the... Read more... |
Classical CDs Weekly: Ives, Shchedrin, VeprikSaturday, 14 March 2020
Ives: Symphonies 3&4 San Francisco Symphony Orchestra/Michael Tilson Thomas (SFS Media)Charles Ives’s Symphony No. 3, subtitled ‘The Camp Meeting’, was completed in 1911 but waited until 1946 for its premiere, long after Ives had given up... Read more... |
Daniel Sepec, Tabea Zimmermann, Jean-Guihen Queyras, Wigmore Hall review - the viola is a starThursday, 12 March 2020
Six weeks ago, the Ernst von Siemens Music Foundation announced that it the winner of its prestigious and extremely valuable main annual prize for 2020 "to a composer, performer, or scholar who has made outstanding contributions to the world of... Read more... |
Bach St John Passion, Bach Collegium Japan, Suzuki, Barbican review - intense pain and dancing consolationWednesday, 11 March 2020
Eyes watering, heart thumping, hands clenched: no, not The Thing, but a spontaneous reaction to the opening of Bach's St John Passion in the urgent hands of Masaaki Suzuki. How his Bach Collegium oboes seared with their semitonal clashes while bass... Read more... |
Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraintWednesday, 11 March 2020
No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and... Read more... |
