sun 14/09/2025

Classical music

Finley, LPO, Gardner, Royal Festival Hall (p)review - special magic ready for streaming

There was a rainbow over the Royal Festival Hall as I crossed one of the Hungerford foot bridges for the first time in six months. The lights and noises inside did not betray the augury. Was it the sheer hallucinatory pleasure of being within the...

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Gillam, Miloš, Wigmore Hall review – charismatic performers, charming playing

My first time back in a concert hall since March was also, more significantly, the first time back for last night’s Wigmore Hall performers, guitarist Miloš Karadaglić and saxophonist Jess Gillam. Their pleasure in playing live again was palpable –...

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A London Saturday with Sheku Kanneh-Mason, Pavel Kolesnikov, Samson Tsoy and friends - review

Even bigger things have happened to Sheku Kanneh-Mason since I last saw him performing alongside his contemporaries in the Fantasia Orchestra – That Royal Wedding, for instance, and a Decca contract. Yet it looks like he will always have the wisdom...

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Classical CDs Weekly: CPE Bach, Gershwin, King Frederik IX of Denmark

 CPE Bach: Complete Piano Trios Linos Piano Trio (C-Avi)13 piano trios squeezed onto just two discs is a steal, but we’re talking CPE Bach and not Schubert, and there’s the issue of whether these pieces are piano trios in the accepted sense....

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Igor Levit, Wigmore Hall/Hill Quartet, Bandstand Chamber Festival review – seamlessness inside and out

An early hero of lockdown, livestreaming from his Berlin home in terrible sound at first, Igor Levit is a supreme example of how adaptable musicians can survive in times like these. True, he has the advantage of being the go-to pianist of the moment...

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Alban Gerhardt, Markus Becker, Wigmore Hall review - long shadows and rich sounds

It wouldn’t be true to say I’d forgotten what a solo cello in a fine concert hall sounds like; revelation of an admittedly sparse year will undoubtedly remain Sumera’s Cello Concerto played by young Estonian Theodor Sink at the Pärnu Music Festival...

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Maggini Quartet/Friend, Solem Quartet, Bandstand Chamber Festival review - in harmony with nature

Music going back to nature, or rather the managed nature of a London park, can make you think and feel quite differently about great composers’ responses to the world around them. To hear Dvořák’s blissful “American” Quartet the Friday before last...

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Christian Gerhaher, Gerold Huber, Wigmore Hall review – revelatory Schubert welcomes audiences back

“It’s SO good to be back,” said Catherine Bott, and it would be impossible to disagree with her. She was presenting the livestream of the first concert to be performed in front of an audience at Wigmore Hall since March. The rules as originally in...

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First Person: Artistic Director John Gilhooly on an inclusive and diverse Wigmore Hall

It is hard to believe that it’s really happening! Despite a few bumps along the way, Christian Gerhaher and Gerold Huber, one of the greatest Lieder duos of our time, will open the 20/21 Wigmore Hall Season tomorrow night in a programme of Schubert...

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Classical CDs Weekly: Mahler, Vaughan Williams, Sandbox Percussion

 Mahler: Symphony No. 4 Turku Philharmonic Orchestra/Leif Segerstam, with Essi Luttinen (mezzo-soprano) (Alba)Leif Segerstam can be a maddeningly inconsistent conductor, a musician whose recordings can frustrate as much as they inspire. He’s...

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BBC Proms live online: Aurora Orchestra, Collon review - down memory lane

The Aurora Orchestra’s trademark expertise in playing symphonies from memory arguably reached new heights this week as they tackled Beethoven’s Seventh, first in performances with a live audience and then, yesterday, in an empty Royal Albert Hall...

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BBC Proms live online: Grosvenor, Evans, Philharmonia, Järvi review – energy and sparkle

Unlike the other two Proms I’ve reviewed this season, last night’s by the Philharmonia did not have any bells and whistles when it came to the staging, nor did it explore the edges of the repertoire. But the repertoire choices were good: progressing...

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