fri 12/09/2025

Classical music

Kolesnikov, Aurora Orchestra, Collon, BBC Proms review - dazzling musicianship and insight

It’s nobody’s fault, but – try as they might – the BBC Proms can often feel rather middle-aged. Whether it’s the lumbering albatross of a building, the ushers in their dated, casino waistcoats or the tone of zealous jollity (Have fun! But silently...

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Brahms Piano Concertos, Tsoy, Philharmonia, Emelyanychev, Bold Tendencies - rich epic mastery in concrete surroundings

To excel at one massive Brahms piano concerto in a standard concert hall is cause enough for celebration. To master two over one evening in a very unorthodox space – namely, below the roof of Peckham’s former multi-storey car park – brings the...

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BBCNOW, Bancroft, BBC Proms review – American music from across the spectrum

In this most atypical Proms season this was actually an archetypal Proms programme: a world premiere: a neglected masterpiece and a good solid 19th-century symphony for those put off a bit by the first two. But this American-themed programme never...

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Benedetti, National Youth Orchestra, Heyward, BBC Proms review – stirring sounds of change

In a normal year, the National Youth Orchestra of Great Britain descends mob-handed on the Royal Albert Hall for a Prom that complements the sheer quality of the young musicians’ work with joyful, raucous, roof-raising quantity. I recall a...

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Echo Vocal Ensemble, Midlands Arts Centre review - fresh and fun approach to choral singing

After meeting on the Genesis Sixteen Young Artist Scheme, this vibrant vocal ensemble has been rapidly gaining momentum since their debut at St John’s Smith Square in 2017. Under the direction of conductor Sarah Latto, the final concert in their UK...

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CBSO, Gražinytė-Tyla, BBC Proms review - expectations teased, seldom fulfilled

Nominally, this was a programme of three symphonies. The first, though, sounded like music re-cut and pasted from a very British film and the second was a suite, albeit impressively reworked, from an opera. The real deal, Brahms’s Third, is a very...

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Brauss, BBC Philharmonic, Gernon, BBC Proms review - surprises and miracles in store

Two nights after the Scottish Chamber Orchestra had brought the first great E flat major symphony to the Proms – Mozart’s 39th – a serendipitous change of programme on Tuesday gave us the second: Haydn’s “Drumroll”. An equally serendipitous change...

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First Person: young musicians Brooke Simpson and Erin Black on the National Youth Orchestra's 'Hope Exchange' project

The National Youth Orchestra of Great Britain’s Hope Exchange is an explosive return to the concert platform for hundreds of teenagers like us, playing a variety of new pieces, with the preparation beginning in hundreds of primary schools across the...

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Johnston, BBCNOW, Bancroft, BBC Proms - laments and luminosity

The Proms are back, even if they don’t yet feel remotely normal. With audiences timid about mass events, and about a third of the arena roped off to protect a TV camera mounted on something vaguely resembling a diplodocus, yesterday’s seemed less of...

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theartsdesk at the Ryedale Festival 2021 - music returns to the moors

In its 40th anniversary year, the Ryedale Festival once again brought live music of the highest quality to the beautiful villages and venues of the Yorkshire Moors. Reinvented for the current climate, the festival featured 40 events to mark its 40...

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First Night of the Proms, Hyde, BBCSO, Stasevska review - levitational ecstasies

Did absence from Albert’s colosseum from early September 2019 until now and a roof-raising finale hoodwink many of us into thinking Dalia Stasevska’s interpretation of Sibelius’s Second Symphony among the greats? Having listened to it again on the...

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Classical CDs: Big boxes, Russian ballets, wind concertos and baroque sonatas

 Riccardo Muti – The Complete Warner Symphonic Recordings (Warner Classics)As with Warner Classics’s recent André Previn box set, begin at the end. Jon Tolansky’s audio documentary is on the last disc in this 91-CD box, chronicling Riccardo...

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