Classical music
Ridout, SCO, Manze, Queen’s Hall, Edinburgh review - sensual mystery and searing intensitySaturday, 07 May 2022
The programme for this concert had Andrew Manze’s fingerprints all over it. Of all the Scottish Chamber Orchestra’s semi-regular guest conductors, he’s the one who most consistently delivers on the highest level. A thinker to his fingertips, he... Read more... |
CBSO Musicians, Hockley Social Club, Birmingham review - creative coalescence of music and diningSaturday, 07 May 2022
Following on from the success of last year’s Symphonic Sessions, musicians from the City of Birmingham Symphony Orchestra returned to popular street food venue Hockley Social Club for their first joint event of 2022. With a bigger band than before... Read more... |
Bevan, Williams, Bebbington, RPO, Davan Wetton, Barbican review - Vaughan Williams celebratedWednesday, 04 May 2022
Amid the warm familiarity of a programme of established Vaughan Williams favourites, presented at the Barbican by the RPO and the City of London Choir, what really drew me in was the chance to hear his Fantasia on the “Old 104th” Psalm Tune,... Read more... |
Rangwanasha, Williams, Hallé Orchestra and Choirs, Elder, Bridgewater Hall, Manchester review - epic Vaughan WilliamsMonday, 02 May 2022
In the first and sixth symphonies of Vaughan Williams, Sir Mark Elder had two of the most ambitious and rewarding of the whole canon to present in Saturday’s VW 150 concert, which consisted of those two works alone. A Sea Symphony in particular (the... Read more... |
RSNO, RCOS Students, Søndergård, Usher Hall, Edinburgh - a massive gesture of solidarityMonday, 02 May 2022
In my last review from Edinburgh, I remarked on the sheer size of the National Youth Orchestra of Scotland, with over 100 players on stage. Little did I know that two weeks later the Royal Scottish National Orchestra would swell its ranks with... Read more... |
'An invitation to stillness and reflection': saxophonist and composer Christian Forshaw on collaborating with top choir TenebraeSaturday, 30 April 2022
The idea of recording an album with Tenebrae has been bubbling away for a number of years. Nigel Short and I first worked together in 2007 when I asked him to direct the vocal consort for a UK tour I was doing with my own group. Since then we have... Read more... |
Kožená, LSO, Rattle, Barbican review - Berlin to Broadway, and backSaturday, 30 April 2022
As Walter Huston croaked in 1938, it’s a long, long while from May to December. And Kurt Weill – who wrote his evergreen “September Song” for Huston in that year – spanned several musical epochs within not so many years as he travelled from the... Read more... |
Classical CDs: Toyshops, begging gods and a good year for Austrian musicFriday, 29 April 2022
Mahler: Symphony No. 4 Czech Philharmonic Orchestra/Semyon Bychkov,with Chen Reiss (soprano) (Pentatone)Semyon Bychkov’s Mahler 4 is the first volume of a projected cycle from an orchestra with a surprisingly small Mahler discography. Mahler... Read more... |
Esfahani, CBSO, Morlot, Symphony Hall Birmingham review - ghostly enchantmentsFriday, 29 April 2022
Bent Sørensen has christened his new harpsichord concerto Sei Anime: “six souls”. The six concise movements, written for Mahan Esfahani and a chamber-sized orchestra, are modelled, apparently, on the dance movements of a Bach keyboard suite. But as... Read more... |
Beethoven Cello Sonatas 1, Elschenbroich, Grynyuk, Fidelio Café review - towards epic songThursday, 28 April 2022
London’s musical life began its halting road to recovery when in July 2020 a great cellist, Steven Isserlis, stepped out with obvious delight to play Bach to a live audience at the Fidelio Café. Another, Leonard Elschenbroich, joined by the full-on... Read more... |
Six Brandenburgs: Six Commissions, Chamber Domaine, Malling Abbey review - metaphysical brillianceMonday, 25 April 2022
"Contemporary classical", for want of a better term, works best in concert as a cornucopia of shortish new works offering a healthy range of styles and voices. Add to the mix six of the most exhilarating and original chamber concertos ever, by no... Read more... |
Faust, English Baroque Soloists, Gardiner, St Martin-in-the-Fields review – gusto and graceMonday, 25 April 2022
More than half a century has passed since John Eliot Gardiner’s choir and orchestras first won their historically-informed licence to thrill. A feverish Saturday night at St Martin-in-the-Fields proved that Gardiner and the English Baroque Soloists... Read more... |
