Classical music
Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review - new concerto and music of triumphFriday, 28 February 2025
A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish composer who had to leave her native land in the 1930s and whose work has remained almost unknown until... Read more... |
Helen Charlston, Sholto Kynoch, Temple Church review - fine singing, powerful stage presenceThursday, 27 February 2025
Mezzo-soprano Helen Charlston just gets better and better, both as singer and as actor. Last night’s recital at Temple Church had an unusual and wide-ranging programme – consisting of a first half hopping through the centuries, followed by a... Read more... |
Ridout, 12 Ensemble, Wigmore Hall review - brilliant Britten and bombastic BrahmsThursday, 27 February 2025
Last night was the first time I had heard the 12 Ensemble, a string group currently Artist-in-Residence at the Wigmore Hall, and I was very impressed, both by the standard of the playing and the enterprising programming. This gave regular audience-... Read more... |
Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbican review - the great pianist as life and soulTuesday, 25 February 2025
At the age of 83, Martha Argerich contains more personality in her little finger than many people do in their entire bodies.Her vigorous, technically dazzling delivery of Beethoven’s Second Piano Concerto began before she even touched the piano. As... Read more... |
Jessica Duchen: Myra Hess - National Treasure review - well-told life of a pioneering musicianTuesday, 25 February 2025
Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent pianist of her generation and accorded “national treasure” status as a result of the wartime lunchtime concert series at London’s... Read more... |
Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manchester review - blasts of Boulez, magical RavelMonday, 24 February 2025
The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand Chamayou back: after his performance of the G major piano concerto in January, this time it was as soloist in the... Read more... |
Classical CDs: Snow, shards and swinging oarsSaturday, 22 February 2025
Snow Dance for the Dead: Choral Music by Seán Doherty New Dublin Voices/Bernie Sherlock (Voces8 Recordings)I have come across the choral music of Seán Doherty more and more recently and always liked what I have heard. His music is imaginative... Read more... |
Bach's Mass in B minor, The English Concert, Bezuidenhout, St Martin-in-the-Fields review - solemnity and splendourFriday, 21 February 2025
If not quite his last will and testament, the work now known as Bach’s Mass in B Minor represents a definitive show-reel or sample-book of the Leipzig cantor’s choral and orchestral art. Its complex patchwork of manuscripts dating from different... Read more... |
Sidorova, Philharmonia, Alsop, Royal Festival Hall review - ladies of the danceSaturday, 15 February 2025
George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull that propelled last night’s Royal Festival Hall Concert from the Philharmonia and its principal guest... Read more... |
MacMillan's Ordo Virtutum, BBC Singers, Jeannin, Milton Court review - dramatic journey of a medieval soulFriday, 14 February 2025
Does any living composer write better for choirs, or more demandingly when circumstances allow, than James MacMillan? Admirable as it is to have extant words and music for a music-drama, morality play, call it what you will, by medieval pioneer... Read more... |
Gilliver, Liverman, Rangwanasha, LSO, Pappano, Barbican review - a rainbow of British musicTuesday, 11 February 2025
For all its passing British sea shanties and folksongs, Vaughan Williams’ A Sea Symphony does Walt Whitman’s determinedly global-oriented poetry full justice. That “pennant universal” was reflected in two superlative soloists from South Africa and... Read more... |
Braimah Kanneh-Mason, Fernandes, Gent, 229 review - a beguiling trip around the worldMonday, 10 February 2025
It was the sonically adventurous, shiveringly atmospheric cello piece by Latvian composer Preteris Vasks that proved to be the first showstopper of this enjoyably esoteric evening. Dutch cellist Hadewych van Gent began the pianissimo movement of... Read more... |
